Friends’ Christmas Screening – Scrooge, Sunday 13th December

Members  of the Friends Of Hyde Park Picture House are cordially invited to an afternoon of festival celebration on Sunday 13th December.

Doors will open at 1:45pm for a 2pm presentation by Julia Thomason from David Clarke Associates, the consultancy firm the Picture House is working with to develop a plan for the future of the building. From 2:15pm we’ll  be serving  sherry and mince pies and there will be time for questions and discussion on the future of the Picture House.

At 3pm our feature presentation is the 1951 version of SCROOGE starring Alastair Sim – possibly the most famous retelling of Dickens’ classic tale of an old miser given the chance to change his ways one bitter and cold Christmas Eve.

Scrooge

Tickets are free to members but please RSVP by Monday 7th December to wendy@hydeparkpicturehouse.co.uk, via the Facebook event or by letting the box office know you wish to attend. Non-members are welcome to attend the screening section of the afternoon though they must purchase a ticket as per a normal screening.

There are also a number of other Christmas films showing in December including  Joyeux Noël (Sat 5th), Muppets Christmas Carol (Sat 12th & Sun 20th), Home Alone (Sat 19th) and from Friday 19th two quite different films taking place on Christmas Eve, Tangerine and of course It’s A Wonderful Life.

London and Leeds Film Festivals

Jake Baldwinson reports back from the London Film Festival and looks forward to Leeds annual film festival next month.

London Film Festival

Last Friday saw the launch of the Leeds International Film Festival programme. Now, I would normally spend the following weekend poring over the free guide, working out a schedule for my filmgoing highlight of the year. This time around, however, I was attending part of  the BFI London Film Festival. I ended up packing in 7 films over a hectic couple of days, including two that have been selected for the Leeds Film Festival this year.

What I find exciting about attending a film festival, even if just for a day or two, is experiencing a melting pot of different narrative voices in a short period of time. On my Saturday in London, I went to 4 screenings; beginning with a fiction feature set in Mexico, shot in an eye-catching circular frame using innovative techniques by the filmmakers. I then finished with a documentary about a culture under threat in Thailand and Burma, filmed in a collage-style using several different formats underwater and on land. These are the complementary screenings (or ones that intriguingly clash) that you would only find at a film fest. The former, entitled Lucifer, is screening a total of three times in Leeds as part of the festival in November, and I would really recommend it. Another from LIFF’s Official Selection that I caught in London was Jafar Panahi’s extremely enjoyable, Taxi, also showing three times (including once at The Hyde Park Picture House.)

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LIFF Launch at Light Night

Friday 9th October 6:30pm, Leeds Town Hall.

Light Night 2015
This Friday it’s Light Night Leeds and the launch of the 29th Leeds International Film Festival. With so many interesting things happening as part of Light Night it sometimes feels like a waste to be sat in the town hall watching films, but there’s also a great sense of excitement as the festival programme is revealed.

Once again there will be a showcase of trailers for the festival films, followed by a 45-minute showcase of legendary Scottish-born, Canadian experimental film artist Norman McLaren. The screening’s line up includes McLaren’s three personal favourites Begone Dull Care (1949), Neighbours (1952) and Pas de Deux (1968) as well as Opening Speech: McLaren (1960), A Chairy Tale (1957) and La Merle (1958).

As for the festival programme, we’ll just have to wait and see what the team have put together this year. Will we get to see Oscar hopefuls such as Tom McCarthy’s Spotlight, Danny Boyle’s Steve Jobs, Cary Fukunaga’s Beasts of No Nation, Todd Haynes’ Carol, Tom Hooper’s The Danish Girl or Lenny Abrahamson’s Room? Ben Wheatley’s High-Rise feels like a perfect fit for Fanomenon and could we see a virtual return of Kevin Smith with Yoga Hosers? Of course the real delight of the film festival are all the films you’d never heard of and are unlikely to see elsewhere. Usually we’re not too keen on trailers but they can be great for highlighting these gems and making everything at the festival feel unmissable.

What are you hoping will make the programme this year? Let us know in the comments below.

Scalarama, 2015

Various venues between September 1st and 30th.

Scalarama heading

This ‘unofficial month of cinema’ runs throughout September. Following the mantra ‘Go forth and fill the land with cinemas’ there are a varied range of events in major urban areas in England and in Scotland: there is also an event listed in the north of Ireland. To help punters there is a free Newspaper which includes listings which can be found at the various venues: in Leeds I picked one up at the Hyde Park Picture House and at the Arch Café.

As well as listings the Newspaper includes a range of articles on the various forms of cinema. The filmmaker Peter Strickland looks back at his experiences, including visiting one of the key venues for alternative and counter cinemas, The Scala. I remember many fine screenings there, including great all-nighters. Other writers sing the praises of 35mm, digital and [even] VHS. This is cinema in all its shapes and guises.

At the Hyde Park on Saturday September 12th at 11.00 p.m. we will have La Grande Bouffe (Blow-Up, France, 1973), a film that rather puts John Waters in the shade. And there is a Scalarama Special on Saturday September 26th themed round Creatures of the Night.

There will be two more of the excellent films from Martin Scorsese Presents: Masterpieces of Polish Cinema. On Sunday September 13th at 3.00 p.m. we have Provincial Actors (Aktorzy prowincjonaini , 1979). The film was co-scripted and directed by Agnieszka Holland. She worked in Polish film as a writer, director and occasional actor. The film is set in a small town, [partly filmed in Lodz] as a theatre company prepare a classic play for performance. On September 22nd at 6.30 p.m. there is The Illumination (Iluminacja, 1973) written and directed by Kryzstof Zanussi, another major filmmaker drawn to moral concerns. The protagonist in the film works as a physicist and the film explores his search for identity: his personal life affected by the larger social world.

On September 27th there is a double bill of films by US independent filmmaker Shirley Clarke. One film is a must for jazz enthusiasts, Ornette – Made In America (1985). Alongside this is her early and rarely seen The Connection (1961), a fine film adaptation of a ‘beat generation’ play. You can read about her in the profile in the Festival newspaper.

Other film venues in Leeds are also participating in the Festival. There are several screenings at Minicine, at the Oblong Cinema, and individual screenings at Little Reliance Cinema and Leeds Queer Film Festival. And there are events at The Heart and the Arch Café. You can check events here and in other cities on the Scalarama website, impressively put together. Note, fresh events are being added, so check the website and do check individual events, I have discovered a couple of minor errors. If you going to the Hyde Park over the next week you may enjoy among the trailers a showreel of the films on offer. It make September a great month for film buffs.

Yorkshire Day – 1st August

Yorkshire Day Poster

Every year on August 1st we celebrate YORKSHIRE DAY, a wonderfully daft occasion where we screen a great movie from these here lands… Well this year we’ve decided to go all out, bringing you a day-long bonanza of free screenings, original artworks & fun activities, all celebrating film making and watching in Yorkshire!

We’ll be showing family friendly classic The Railway Children, contemporary short films from local filmmakers and artists, archive moving image from the Yorkshire Film Archive and a screening of the excellent Leeds Young Authors’ doc We Are Poets.

Alongside these screenings, there will be an exhibition of re-imagined Yorkshire film posters, featuring artists Lucy Sherston, Sam Hutchinson, Jake Blanchard, Siân Westcott, Karl Vickers and Kristyna Baczynski. We’ll also have projection room tours. And outside our friends at &/Or Emporium will be inviting local artists and makers along, plus there’ll be some tasty food stalls from the likes of That Old Chestnut, Leeds Bread Co-op and more TBC!

And the neat thing is, thanks to Leeds Inspired, everything here will be totally FREE, so you can come and go as you please!

Visit the Hyde Park Picture House website for more information about the day.  Continue reading →

Manuscript workshop and The Secret of Kells

Anna Turner from Leeds University’s Medieval Society takes a look back at the first event at the Hyde Park Picture House as part of their International Medieval Film Festival

The Secret of Kells

Rainy Saturday mornings have a way of slipping away from you – lost somewhere between the duvet and the television. However, on this dull and grey Saturday morning a group of University of Leeds students gathered in Hyde Park Picture House to hold a small but effective protest against waste weekends. It’s not often that a revolution comes along in the form of a Medieval workshop and film screening – but there you have it. What could be more revolutionary than succeeding in getting a group of kids to part with their bed, teaching them about medieval print culture and having them sit silently through a beautifully animated movie about a unique artefact from Irish history, all before lunchtime?

I was one of three University of Leeds students lucky enough to be invited to lead a workshop about ‘The Book of Kells’, and medieval manuscripts more generally, as a sort of interactive introduction to their screening of The Secret of Kells. The event took place as part of the LUU Medieval Soc’s ‘International Medieval Film Festival’ – an offshoot of this year’s International Medieval Congress. The words ‘International Medieval Film Festival’ seem to conjure up images of stiff men in tweed jackets lamenting the lack of period-accurate armour in the latest Crusades docu-drama. Far from it!

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‘The Cosiest Picture House in Leeds’.

YEP Advert

This illustration is from the printed history of the Hyde Park Picture House published by the Friends in 1997: [copies still available at the cinema].

Recently a relative of Harry Childs, who was involved in the opening and running of the Hyde Park Picture House, donated a set of ‘Log Books’ that start with the opening of the cinema and carry on until the 1950s. The books record the daily performances, ticket sales in different price categories and the daily and weekly income. You can imagine that there are lots of figures to be analyzed. The performances and prices are shown in the above advertisement from the Yorkshire Evening News.

It is not clear how seats and customers were demarcated, perhaps the 1s. seats were in the balcony. The bulk of the customers fell into the 3d and 6d price range.

Firstly, the capacity of a standard rectangular theatre was increased by using a balcony .. [which] … allowed an astounding 587 people to be crammed in. [Since the 1980s the seating has been reduced to 350].

The records in 1914 offer no information about the films screened. However from early in 1915 the title of the feature is usually recorded in the margin. The norm appears to be two prrogrammes a week, one from Monday to Wednesday and one from Thursday to Saturday. This is done briefly, so it is not always possible to identify the film: and about two thirds of titles from this period have been lost. However there are also other sources.

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A Night at the Cinema in 1914 

Screened at the Hyde Park Picture House as part of the Centenary Programme on November 7th 2014.

thYF814ALO

Looping the Loop at Hendon (March 1914)

Pioneering British aviators Gustav Hamel and Bentfield Hucks perform stunts at the legendary Hendon airfield. Although not hard news, this was a topical story.

Palace Pandemonium (May 1914)

The leading campaigner for votes for women, Emmeline Pankhurst, goes to petition the King in person at Buckingham Palace. The campaign for votes for women was very high-profile and often featured in the news. The suffragettes would stage appearances at events for maximum impact. 

Austrian Tragedy (July 1914)

Following the assassination of Archduke Franz Ferdinand in Sarajevo, this newsreel shows footage of the Austro-Hungarian royal family, including the wedding of Archduke Karl who succeeded Franz Ferdinand as heir to the imperial throne.

Dogs for the Antarctic (August 1914)

Following the death of Captain Scott, Sir Ernest Shackleton plans another expedition to Antarctica, taking plenty of dogs. This is typical of the ‘magazine’ style film shorts of the time.

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AGM 2015

Sunday 17th May at The Hyde Park Picture House

The Annual General Meeting is an opportunity for members to meet and find out what’s been happening within the Friends and at the cinema in general as well as our plans for the future. It is also an opportunity for members to have their say. And there’s a buffet. Which is always worth mentioning.

Members are invited to start arriving from 12.45pm for a 1pm start.

  1. Register of attendance and apologies. Please bring your membership card along and show it upon arrival at the Picture House.
  2. Minutes of 2014 AGM (to be mailed out to members nearer the time of the AGM) including matter arising.
  3. An update on the application to register as a charity.
  4. Chair’s Report
  5. Treasurer’s Report
  6. Election of committee and officers
  7. Report of the General Manager of the Picture House and an opportunity for questions from Members.
  8. Any Other Business

The meeting will be drawn to a close around 2.30pm and members are invited to join us for a buffet followed by a screening at 3.30pm of Louis Malle’s 1987 drama AU REVOIR LES ENFANTS about a French boarding school which seems to be a haven from World War II until a new student arrives. He becomes the roommate and rival of natural leader Julien but a special bond quickly forms and a secret is shared.