Our #LIFF2017 Highlights

The film festival may be over but with arguably one of their best programmes, there’s still plenty to talk about. We asked our contributors for their highlights from LIFF2017 and it would be great to see yours in the comments:

Bill

  • Thelma
  • Félicité
  • The Wages of Fear
  • Loveless
  • Lover for a Day
  • The Teacher
  • Three Billboards Outside Ebbing, Missouri
  • Gaza Surf Club
  • Investigation of a Citizen Above Suspicion

Jake

  • The Rider
  • Western
  • Untitled
  • Félicité
  • Happy End

Keith

  • Happy End
  • Félicité
  • Taste of Cherry / Ta’m e guilass

And the best film not screened at the Festival, Oktyabr / October 1917 (Ten Days that Shook the World, 1928), co-written and directed by Sergei Eisenstein.

Stephen

  • Amélie
  • Three Billboards Outside Ebbing, Missouri
  • Journeyman
  • The Florida Project
  • Good Time
  • Bad Genius
  • You Were Never Really Here
  • Jane
  • The Breadwinner
  • The Rider

 

Leeds Palestinian Film Festival 2017


The 2017 Festival launches during the Leeds International Film Festival with a new documentary Gaza Surf Club. The film has been directed by two young filmmakers with funding from German Public Broadcasting Company, Westdeutscher Rundfunk Köln. In Gaza there is a small band of enthusiasts who ride the surf in the coastal waters. The added dangers of the sport here are the Israeli blockade and maritime restrictions. It is in colour and with both English and Arabic.

The Occupation of the American Mind is a documentary produced by the Media Education Foundation. The writers and directors Loretta Alper, and Jeremy Earp have provided an exploration of that central movement attempting to protect Israel from scrutiny and justice in the USA. This ‘propaganda’ and pressure is replicated to a smaller extent in Britain as well. Filmed in colour and all in English. The film will be followed by a talk and discussion with former Reuters journalist Naomi Wimborne-Idrissi. Naomi is a leading campaigner for ‘Free Speech on Israel’.

Firefighters Under Occupation is a distintive documentary. Sponsored by the Fire Brigade Union it was filmed by a South Wales firefighter on a trip to the Occupied West Bank where indigenous firefighters operate the equipment donated by their comrades in Britain. The event also has a distintive venue, the converted Gipton Fire Station now an East Leeds Community venue.

The Time That Remains is the most recent feature by Elia Suleiman released in 2009, screening at the Hyde Park Picture House. Suleiman is a pioneer of Palestinian cinema, his first films in the 1990s were produced before the present expanded cycle of films made in the occupied territories emerged. Dramatising his own life and that of his father Fuad Suleiman produces a complex narrative setting out both the Israeli domination of Palestinians and their resistance. The film treats the subject with a degree of irony.

The Idol from the 2016 Festival at a new venue. This title dramatises the story of Muhammad Assaf, the Gazan wedding singer who won the prestigious Television Contest ‘Arab idol’. The film had some fine sequences set in Gaza in his childhood and returns there at the end with actual footage of the celebrations on his success.

Also returning from 2016 is Balls, Barriers & Bulldozers, a documentary following a British tour of the West Bank playing against  Palestinian women football teams. The film is about the sport and about the experience of visiting the Occupied Territories.

‘Existence is Resistance’ is an evening with short films and an exhibition of photographs. The theme is ‘Sumud’, that is ‘steadfast’. The short films are Sumud: Everyday Resistance; Journey of a Sofa; and Shireen of al-Walaja the portrait of a popular resistance leader.

Finally we have ‘Film Maker as Activist – an afternoon of short films and discussion with Jon Pullman’. The Forgotten addresses the condition of the millions of Palestinian refugees who still wait for the liberation of their homeland. The filmmaker will also talk about his planned film, The Lynching, which will deal with the current ‘anti-semiotic’ witch-hunt in the British Labour Party.

The Festival offers a varied selection of films in both theatrical and community settings. Now well established the Festival brings a political edge to film viewing in West Yorkshire.

Festival Webpages: http://www.leedspff.org.uk/

LIFF’s 35mm Films

‘Orphée ‘ – a Festival highlight.

This year’s Festival includes eight screening sourced from 35mm prints, [baring accidents]. I make this one more than in 2016, progress. All the films will be projected at the Hyde Park Picture House as the only other venue in Leeds with 35mm projector, The Cottage Road Cinema, is not participating in the Festival: shame. In another example of progress all the titles are listed in the printed ‘Free Guide’ and are noted on the Festival Webpages.

Stephen has already mentioned the ‘breakfast’ screening of Amelie (France 2001).

The Deputy / El diputado is a Spanish thriller from 1978, filmed in colour and standard widescreen. The plot involves a left-wing politician, the police and security services, black mail and even treason. The treatment makes all of this both complex and fascinating, widening the story with sexual orientation.

The Lives of Others / Das Leben der Anderen (Germany, 2006) was a popular success on its initial release. It studies the situation of an artist under the Stasi in the German Democratic Republic in the 1980s. What makes the story dramatic is a borrowing from Victor Hugo’s great novel ‘Les Misérables’.

Orphée (France 1950) is a film version of the famous myth by poet and artist Jean Cocteau. The film has a dreamlike quality and is full of actions and settings beloved of the Surrealists. The black and white cinematography really does deserve to be seen on film.

The Party and the Guests / O slavnosti a hostech (A Report on the Party and the Guests, Czechoslovakia, 1966) was part of the 1960s ‘new wave’ and was banned for many years. The film only appeared in Britain in 2008. Shot in academy and black and white, the film is an absurdist drama, at times reminiscent of Samuel Beckett.

Seven Days in January / 7 días de enero (Spain, 1979) is a thriller based on actual events. Aftert the welcome death of General Franco and Spain’s transition to a more democratic society elements from the fascist past attempted to undermine the process.

Taste of Cherry / Ta’m e guilass (Iran, 1997) is one of the fine films from this country’s art/independent sector. The director Abbas Kiarostami is noted for his minimalist approach. Here, in another Iranian film set mainly in an automobile, we spend a few hours with a man debating a fundamental question.

Volver (Spain, 2006) is another excellent drama from Pedro Almodóvar. This is a film centred on women and the fine cast, as a collective, were awarded the Best Actress Award at the Cannes Film Festivals. This is mainly a dramatic comedy but with many of the issues that always fill Almodovar’s films and titillate audiences.

Classic Almodóvar at the Festival.

Surprisingly several other films in the retrospective section are on digital even though I am pretty sure that 35mm prints exist. These include Satyajit Ray’s memorable Aparajito (India, 1956) and the more recent and compelling The Headless Woman / La mujer sin Cabeza (Argentina, 2008) directed by Lucretia Martell.

But the most serious lacunae in the programme is the complete absence of Soviet titles. The Centenary of the Great October Revolution [in the new style calendar] falls within the Festival. If this is not recognised as the most significant event of the C20th then surely the cinema it inspired, Soviet Montage, should be. It was the most challenging but also the most influential film movement in C20th World Cinema. It seems that we need a seminar on film history for the Festival office.

 

 

Leeds International Film Festival 2017

lcf_liff-2

Last week the programme for LIFF2017 was launched along with the new Leeds Film City website (also Twitter, Facebook and Instagram). The paper programme should be available in the usual places (including the Picture House) and there is also a PDF version.

As always the programme is packed full of a wide variety of films and deciding what to see is tough process for film lovers. In the end I made a lot of my choices on how easily I could get from one screening to the next, of course it wouldn’t be LIFF if I didn’t have a few dashes between town and the Picture House. I made a clashfinder which shows which films are on at the same time and you may find it useful when you’re planning your festival. Other people are using the clashfinder which means I can see what films are getting highlighted the most and, although this may not reflect ticket sales, the current top 10 is as follows:

  1. The Square: Opening Film
  2. The Florida Project
  3. Bad Genius
  4. Summer Time Machine Blues
  5. The Killing of a Sacred Deer: Opening Film
  6. Dave Made a Maze
  7. Happy End
  8. Three Billboards Outside Ebbing, Missouri: Closing Film
  9. The Endless
  10. Good Time

I’m hoping to see all of those films so that list doesn’t surprise me much. I’ve got another 40 or so films in my current plan plus this year I’m hoping to try Night Of The Dead for the first time! What else am I looking forward to? Well there’s new films from Clio Barnard (Dark River) and Paddy Considine (Journeyman), the breakfast screening of Amélie should be a delight (plus it’s a 35mm print) and Mutafukaz looks like it’s the kind of craziness we’ve all come to expect from the festival.

What about you? What films are you looking forward to seeing and have you managed to put together a plan yet? Let us know in the comments.

Scalarama – Leeds 2017.

Organising film treats for September.

Every September we now have this month-long Festival dedicated to cinema and film of all shapes and sizes. The Festival offers varied pleasures for film lovers and cinema goers across Britain. Happily Leeds has a well-endowed and well organised presence. The recently hoisted Webpages have a full list of titles, events and venues throughout September.

Wednesday August 23rd sees the programme launch at the Left Bank in Cardigan Road – 7.30 to 11 p.m. As well as fliers and details there will be a new documentary, Jobriath A.D. and live music from ‘Das Pain’.

From September 1st, there will be almost daily events spread across the whole city. The titles that catch my attention include:

Berlin: Symphony of a Great City / Berlin: Die Sinfonie der Groβtadt (1927) at the Hyde Park Picture House. This is a classic ‘city symphony’ from the silent era. Tending to the abstract it is dazzling portrait of Berlin. And there will be a live piano accompaniment.

Moonlight, the surprise Academy Award winner this year, is at the Otley Film Society. The film is engaging, unconventional and beautifully realised.

My Life as a Courgette /Ma vie de Courgette  (2016) is at HEART in Headingly. This is a delightful French animation, with an inventive and slightly oddball story.

The Intruder aka The Stranger (1962), is at Wharf Chambers. A cult film by Roger Corman,  set in the earlier segregation period: it seems eerily prescient in 2017

London Symphony (2017) at Left Bank. This is a C20th ‘city symphony’. Only just released but promising a visual treat.

Do the Right Thing (1989) at Leeds Cineforum [ previously The Arts PGR Film Club]. Spike Lee’s masterwork spoke volumes about the USA of its decade and still speaks loudly today.

There is a lot more: and enough to satisfy every taste.

Our LIFF30 Highlights

The film festival is over for another year and once again has provided Leeds with a fantastic selection of films. Below we share five of our highlights from the festival and would love to see yours in the comments:

Bill

Bill's Top 5There are so many films being made around the world!  The Leeds Film Festival programme is just a small sample, and the thirty or so films I saw are just a small sample of what the Festival had to offer. Here are 5 films that I enjoyed, in no particular order:

  • Sieranevada  – a beautifully directed and acted glimpse of a Romanian
    family’s memorial commemoration, which also says something about wider
    Eastern European society.
  • Chi-raq – Spike Lee’s theatrical exploration of the issues around Black
    Lives Matter, made with the involvement of people living in Chicago’s
    Southside.
  • Lonesome – a love story, with live organ accompaniment, mostly set in
    Coney Island, and made at a time when silent films were giving way to
    the new ‘talkies’
  • The Handmaiden – an exciting and beautiful Korean/Japanese story, with
    different perspectives challenging us to work out what is really going
    on
  • Fukushima, Mon Amour – the aftermath of the earthquake, tsunami, and
    nuclear reactor meltdown, is the setting for this film about the lives
    of people 5 years later, as seen through the eyes of a German woman who
    wants to bring some pleasure to their lives

I could have added another 5 quite easily.

Keith

Keith's Top 5

  • The Art of Negative Thinking – Scandinavian filmmakers excel at combining disability and humour.
  • Certain Women –Three well crafted stories, four excellent performances.
  • Mimosas – Very fine visually but the story requires careful thought and study.
  • Old Stone – A good Samaritan suffers under Chinese capitalism.
  • Woman of the Dunes – A black and white classic in a good 35mm print.

Stephen

Stephen's Top 5

  • Mindhorn – The funniest film since What We Do In The Shadows. I’d forgotten how fantastic it is to see an incredibly funny film in a packed cinema. We laughed so hard we probably missed half the jokes. Followed by a brilliant surreal Q&A.
  • A Man Called Ove – Perfectly combining humour and humanity, everything comes together to remind you there is some good in the world.
  • The Autopsy of Jane Doe – The best horror film I’ve seen in some time. Delivers intelligent thrills and never outstays it’s welcome by becoming too silly.
  • Breakfast at Tiffany’s – Seeing this projected (from 35mm) gave me a new appreciation and managed to completely charm me where I’d previously been underwhelmed.
  • Two Lovers and a Bear – A complete surprise, I knew nothing about this film and found it all completely delightful.

This was the strongest festival I remember and I’d recommend nearly all the films I saw. My next 5 films were Pet, The Birth of A Nation,  The First, The Last, Life Animated and Paterson.

Jake

Jake's Top 5

  • Certain Women – Kelly Reichardt’s most fully realised film to date. Maile Meloy’s short stories perfectly compliment each other, providing a perfect counterpart to Reichardt’s earlier adaptations of Jon Raymond. Great performances from the central cast, especially Laura Dern and relative newcomer, Lily Gladstone.
  • Mister Universo – Tizza Covi and Rainer Frimmel’s simple fiction played out by real life members of the Italian circus community. A beautiful intersection between fact and fiction, that functions as both a road movie and an affectionate family portrait.
  • The Woman of the Dunes – Teshigahara/Abe’s Sisyphusian nightmare. A classic. So glad I got to see this on a big screen on 35mm.
  • Graduation – Doting father, Romeo, walks moral tightropes in this austere drama from Cristian Mungiu. Shades of Haneke’s Hidden in it’s creeping sense of dread.
  • Mimosas – Ecstatic fiction, quasi-western with the Atlas mountains as a backdrop. Shakib Ben Omar is a wild, charismatic lead. A natural heir to Ninetto Davoli.

Napoleon France 1927

Sunday November 13th at 11.15 a.m. in The Victoria Hall

napoleon

This silent film epic is screening in The Victoria Hall with a pre-recorded musical accompaniment. The film itself, directed by Abel Gance, is one of the outstanding achievements of European silent cinema. Epic well describes the over five hours which only take in Napoleon’s youth and early career. Gance and his production team, especially the lead cinematographer Cinematography by Léonce-Henri Burel, were in the vanguard of film technique in this period. In an early scene the mobile camera brings out the dynamism of young Bonaparte: and these techniques are paralleled on many occasions especially in a dramatic sequence in the French Assembly. The film makes extensive use of tinting and toning, reproduced in this version. Finally the film ends with a precursor of the Cinerama format, as the entry of Napoleon’s army into Italy is presented on three screens in a magnificent panorama.

The film has been transferred to a digital format. So whether this will be equal to the thrill of 35mm presentations has to be seen. However, Kevin Brownlow, who painstakingly restored the film over many years, made the point that it will look better than on the 9.5 mm gauge in which he first viewed it. And it will certainly look better than on a Blu-Ray or DVD. On the large screen at the Town Hall, 12 metres across, the framing will be about 27 by 20 foot. And the final triptych has been folded into a 2.39:1 frame, stretching across the entire screen. Added to this, the score that Carl Davis composed to accompany  film screenings, based extensively on music contemporary to the time, will be in 7:1 Dolby Surround Sound, and the Town Hall has good acoustics for music.

The film falls into three parts, though this screening has three intervals, so I am unsure where they will fall. Still, if you have never seen Napoleon on the big screen then this is a cinema must.

A Fanomenon Selection

LIFF30 Fanomenon

As LIFF enters its 30th year, here is a selection of some of the Fanomenon strand of weird and wonderful films playing at the Hyde Park Picture House:

Francesca (2015)

Francesca is a beautiful and bloody love letter to the Italian giallos of the 70s. A psychopath in a red coat and leather gloves is stalking the city, clearing it of ‘impure and damned souls’. The crimes seem linked to an unsolved case from many years ago.

A Monster Calls (2016)

Based on the acclaimed novel by Patrick Ness, this dark compelling from J A Bayona (The Orphanage) tells the story of a young boy visited by an enormous, tree-shaped monster – voiced, obviously, by Liam Neeson!

Kids Police (2013)

From one of Japan’s wildest comic film creators Yuichi Fukada comes this delightful spoof of procedural cop dramas. Chief Onuma and his Special Investigative Division are transformed back into their child selves by terrorists. Can Onuma and his mini squad stop the terrorists taking over Japan? A big story about very little heroes!

Continue reading

Happy #LIFF30 Day

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As you probably know the 30th Leeds International Film Festival starts tonight with a screening of Jim Jarmusch’s Paterson at the Town Hall (it’s also showing at the Picture House on Saturday 5th at 8:30pm).

We were hoping to post more about the festival but it’s going to be busy few weeks so that might be difficult but don’t forget about our Twitter and Facebook pages. You can find all of our #LIFF30 posts here including a fascinating look at how the Friends started the festival 30 years ago. On Friday we’ll be highlighting some of the films in the Fanomenon strand showing at the Picture House. The Leeds Movie Fans Meetup Group also have a number of meetings planned during the festival, check out their webpages for more details.

There are nearly 150 films on offer over the next few weeks so there’s bound to be something for everyone. If you’re still planning what to see you might find this clashfinder useful. There really seems to be a lot of great films this year. I’m planning on seeing 45 films over the next two weeks (you can follow my progress on Letterboxd and Twitter) and I still feel like I’m missing out. Here’s a list of ten films I really wanted to see but couldn’t fit in (and that doesn’t include any of the classic films in the soundtrack retrospective which I’d love to have seen again!)

  1. A Divorce Before Marriage
  2. Dougal And The Blue Cat
  3. As I Open My Eyes
  4. Cameraperson
  5. Greetings From Fukushima
  6. Graduation
  7. Lady Macbeth
  8. November
  9. Napoleon
  10. A Silent Voice

We hope you enjoy the festival and would love to hear your thoughts about any of the films in the comments (or contact us if you’d like to write a longer post for the blog).

Woman of the Dunes/Suna no onna, Japan 1964

Friday November 4th at 4.30 p.m. and Wednesday November 9th at 1.00 p.m.

woman-in-the-dunes

This is one of the classic films screening at the Leeds International Film festival and one of the few in the original format of 35mm. It is part of a retrospective ‘Soundtracks’ and the film has a minimalist and modernist electronic score by Japanese composer Takemitsu Toru. He was a regular collaborator with the film director Teshigahara Hiroshi and this is the latter’s most notable film. It won the Special Jury Prize at the Cannes International Film Festival and was nominated for an Academy Award in the Best Foreign-Language Film category.

It is an example of the modernist film-making found in the Japanese New Wave of the 1960s. It is a film of ambiguities but with a fascinating narrative and characters. An etymologist goes to the beach collect specimens for the day but events prevent his return to the city in the evening. The story develops in beautifully unexpected ways.  Visually the film is a tour de force, especially in the black and white deep focus cinematography of Segawa Hiroshi. The imagery at times is abstract and the music of Takemitsu adds to the unconventional feel of the film.

The film also has a strong set of social themes running through it. These receive extra emphasis from the opening and closing credits which offer an added dimension to the allegory. The film runs for just over two hours and exercises at time a hypnotic feel. Not to be missed on the big screen.