As well as serving on the committee for the Friends I’m also involved with Keswick Film Club and in a few weeks their 19th Film Festival will be taking place. I grew up near Keswick and the film club played an important part in developing my love for art house cinema. I’ll be heading back to the Lake District town for the festival and would easily recommend a visit to see some great films in an idyllic location.
There are many films from LIFF in the programme so a great chance to catch up with some you may have missed or just want to see again. The Rider (a wonderful surprise for me and I may see it again), Sami Blood, Blade Of The Immortal, Dark River, The Square and, like Leeds, the festival will be closing with Three Billboards Outside Ebbing Missouri.
There are films you (probably) won’t have seen yet. Director Simon Hunter will open the festival with Edie, starring Sheila Hancock as an 84 year old who is determine to climb a mountain. A Fantastic Woman has been wowing festival audiences and critics around the world and François Ozon’s L’Amant Double has yet to get a UK release date. We also have one of the first screenings of John Hurt’s final film, That Good Night. John was the patron of the festival and visited a number of times, his wife will be introducing the film.
We’re also delighted to be showing Ken Russell’s Clouds Of Glory, thought for many years to have been lost. Commissioned by Melvyn Bragg for Granada TV, this is Ken Russell’s interpretation of the lives and loves of Coleridge and Wordsworth and was filmed locally. The screening accompanies a talk, Cumbria On Film, exploring how the region has been used for films over the years including Withnail & I and The Force Awakens.
There are also talks on director George Stevens (with screenings of Shane and Woman Of The Year) and “Scared Stiff in the 1960” before a late night screening of the original Night Of The Living Dead.
There are many more films and more guests and I haven’t even mentioned the short film competition which I’m most heavily involved with.
The festival runs from Thursday 22nd to Sunday 25th February, tickets are £6.50 and passes for the whole weekend are £55 (concessions are available). It mostly takes place in two venues so you can see about half of the entire programme if you get a pass.
And it’s not just about the films, Keswick is great place to visit (especially at this time of year?) and it’s only a few hours away from Leeds.
As the year comes to an end we’re starting to think about the cinematic highlights of 2017 and we’ll be posting some of our favourite films in a few weeks’ time. As I started to think about my own list I realised that I’ve missed a lot of films that are showing up in other end of year lists. So here, in no particular order, is a top ten list of (possibly) the best films I didn’t see this year:
- In Between
- The Beguiled
- I Am Not Your Negro
- Lady Macbeth
- Personal Shopper
- A Quiet Passion
- The Levelling
- My Cousin Rachel
- The Party
I’m going to try and catch up with some of these (Elle and A Quiet Passion are both on Netflix and I Am Not Your Negro and Lady Macbeth are included in Amazon Prime) which do you recommend I should see first? Also do let us know what your favourite films are and we can include them in our end of year round up. If you need a reminder of everything that has been shown at the Picture House this year, we have a list here.
Last week the programme for LIFF2017 was launched along with the new Leeds Film City website (also Twitter, Facebook and Instagram). The paper programme should be available in the usual places (including the Picture House) and there is also a PDF version.
As always the programme is packed full of a wide variety of films and deciding what to see is tough process for film lovers. In the end I made a lot of my choices on how easily I could get from one screening to the next, of course it wouldn’t be LIFF if I didn’t have a few dashes between town and the Picture House. I made a clashfinder which shows which films are on at the same time and you may find it useful when you’re planning your festival. Other people are using the clashfinder which means I can see what films are getting highlighted the most and, although this may not reflect ticket sales, the current top 10 is as follows:
- The Square: Opening Film
- The Florida Project
- Bad Genius
- Summer Time Machine Blues
- The Killing of a Sacred Deer: Opening Film
- Dave Made a Maze
- Happy End
- Three Billboards Outside Ebbing, Missouri: Closing Film
- The Endless
- Good Time
I’m hoping to see all of those films so that list doesn’t surprise me much. I’ve got another 40 or so films in my current plan plus this year I’m hoping to try Night Of The Dead for the first time! What else am I looking forward to? Well there’s new films from Clio Barnard (Dark River) and Paddy Considine (Journeyman), the breakfast screening of Amélie should be a delight (plus it’s a 35mm print) and Mutafukaz looks like it’s the kind of craziness we’ve all come to expect from the festival.
What about you? What films are you looking forward to seeing and have you managed to put together a plan yet? Let us know in the comments.
The new programme started last Friday with Lady Macbeth, “a British, period-set chamber thriller with a star-making turn on one side of the camera, and one hell of a directing debut on the other” (Tim Robey, The Telegraph), and there’s still chance to catch it on Tuesday and Wednesday.
This programme runs through until the middle of July, ending the long wait for Edgar Wright’s next film with Baby Driver. This Sunday the Yorkshire Silent Film Festival returns with a full day at Hyde Park featuring a free selection of cartoons, The House on Trubnaya Street (1928), The Four Just Men (1921), Behind the Door (1919) and Chicago (1927).
Other highlights include the brilliant animated films My Life As A Courgette and The Red Turtle and new releases such as My Cousin Rachel, The Levelling, Clash and After The Storm. There’s also chances to catch classics on the big screen including Manhattan (1979), The Seventh Seal (1957) and La Strada (1954) and Creature Of The Night screenings of The Thing (1982), Shaun Of The Dead (2004) and Heat (1994).
As you probably know the 30th Leeds International Film Festival starts tonight with a screening of Jim Jarmusch’s Paterson at the Town Hall (it’s also showing at the Picture House on Saturday 5th at 8:30pm).
We were hoping to post more about the festival but it’s going to be busy few weeks so that might be difficult but don’t forget about our Twitter and Facebook pages. You can find all of our #LIFF30 posts here including a fascinating look at how the Friends started the festival 30 years ago. On Friday we’ll be highlighting some of the films in the Fanomenon strand showing at the Picture House. The Leeds Movie Fans Meetup Group also have a number of meetings planned during the festival, check out their webpages for more details.
There are nearly 150 films on offer over the next few weeks so there’s bound to be something for everyone. If you’re still planning what to see you might find this clashfinder useful. There really seems to be a lot of great films this year. I’m planning on seeing 45 films over the next two weeks (you can follow my progress on Letterboxd and Twitter) and I still feel like I’m missing out. Here’s a list of ten films I really wanted to see but couldn’t fit in (and that doesn’t include any of the classic films in the soundtrack retrospective which I’d love to have seen again!)
- A Divorce Before Marriage
- Dougal And The Blue Cat
- As I Open My Eyes
- Greetings From Fukushima
- Lady Macbeth
- A Silent Voice
We hope you enjoy the festival and would love to hear your thoughts about any of the films in the comments (or contact us if you’d like to write a longer post for the blog).
It was great to have the launch of the 30th Leeds International Film Festival at the Picture House last week. There was a wonderful atmosphere and sense of anticipation as 50ish trailers and clips were shown. I left wanting to see more of everything that had been showcased.
If you haven’t picked up a guide yet, it’s now also available in digital form.
There’s a new layout for the guide this year including a more compact pull out calendar which may be prove to be useful during the festival but for lots of people has made planning a little harder. If you are struggling to see the overlaps you may find this Clashfinder website useful. It shows everything in a grid format so you can plan your dashes between venues. You can also highlight films to create your own itinerary and this allows us to see what’s popular, earlier today the top 20 was as follows:
- LIFF30 Opening Gala: Paterson + Timecode
- The Handmaiden
- Jurassic Park
- Schneider vs. Bax
- A Monster Calls
- Train to Busan
- Hacksaw Ridge
- I Am Not a Serial Killer
- Under the Shadow
- The Wailing
- The Master Cleanse
- Toni Erdmann
- Belladonna of Sadness
- Kids Police
- The First, the Last
- Psychonauts, the Forgotten Children
- The Red Turtle + Father and Daughter
Over the next few weeks we’re hoping to preview some of the festival films and it would be great to hear your plans and what you are looking forward to seeing in the comments (or get in touch if you’d like to write a full post for the blog).
Part of this year’s film festival focuses on soundtracks so it seemed like a good idea to talk about music. Over the last few years I’ve found myself paying much more attention to what I’m hearing in the cinema as well as seeing. One of my favourite recent soundtracks is Disasterpeace’s work for It Follows (2015) and it’s great to get the opportunity to hear it performed live at the Picture House at the end of the month (limited tickets available here). There’s a similar electronic ambient sound to Cliff Martinez’s score for The Neon Demon (2016). Both soundtracks are influenced by John Carpenter’s music and I was hoping we might get a gig from the horror master at this year’s festival, alas it doesn’t look like we will.
A completely different sound can be heard in Carter Burwell’s score for Carol (2015), it’s such a beautiful piece of work and for me it may even be better than the already great film.
If you are interested in film music it’s worth listening to Saturday Night At The Movies on Classic FM (5pm Saturdays), presented by Radio Times film critic Andrew Collins each week they play two hours of music around a certain theme. It was a TV special this week but recently they’ve focussed on Hitchcock, animation and westerns. It’s available to listen to for 7 days online and is also on Freeview 731.
BBC Radio 3 also have a weekly film music programme Sound Of The Cinema (3pm Saturdays, also on iPlayer and available as a podcast) which centres each week around a current new release but play music from a wide range of films. Soundtracking is another podcast but slightly different because each week Edith Bowman talks to a film director about how they use music in film.
Back to the festival, focussing on soundtracks is an interesting idea and it has thrown up some great opportunities to revisit some films with wonderful soundtracks: Jurassic Park, Jaws, Drive, Pulp Fiction, Under The Skin, Blue Velvet, Breakfast At Tiffany’s, Lost In Translation, The Virgin Suicides are all favourites of mine and there are many more featured in the retrospective.
1. The cast: Gemma Arterton, Glenn Close and newcomer Sennia Nanua make up a strong female cast. Paddy Considine also stars; remember when he came to the Picture House to show Tyrannosaur?
2. Mark Kermode is another Hyde Park visitor who loves the film:
3. Director Colm McCarthy previously directed the entire second series of BBC’s Peaky Blinders
The Girl With All The Gifts is showing daily at Hyde Park Picture House from Friday 30th September.
- What We Do In The Shadows was writer/director Taika Waititi’s previous film and the winner of the Audience Award at LIFF28. Unusually for me, it was a film I saw three times in the cinema and thought it got better each time.
- Everybody loves it. Until very recently Wilderpeople had 100% on Rotten Tomatoes, meaning it hadn’t received a negative review from any critics. It’s now dropped to 98% but that’s still ‘Certified Fresh‘. On Letterboxd (“a social network for sharing your taste in film”) it has been one of the highest rated films of the year.
- Taika Waititi is also directing Thor: Ragnarok (2017) and found time to make this short film, possibly the best entry in the Marvel Cinematic Universe yet:
Hunt For The Wilderpeople is screening daily at Hyde Park Picture House from Friday 23rd September.
The new programme starts today with lots of great things coming up before the film festival in November (free tickets for the LIFF launch at Hyde Park are now available). Take a look at the excellent trailer reel or download the PDF and let us know what you are looking forward to seeing in the comments.