LIFF2019 Preview #2

Next in our series of posts on Leeds International Film Festival, Hannah tells us about her festival plans…

Last week, on a bit of a nostalgia trip, I watched the French film A Town Called Panic (2009) This showed on bonfire night at the Picture House during LIFF24 in 2010 and was my first taste of the film festival. Since then, my festival has steadily grown from the occasional odd film when I happened to be in Leeds to being an essential fortnight of my autumn calendar, around which all other things must be carefully arranged.

This year I’m going full tilt into LIFF (can we call it LIFF33?). After 2018, I said I’d take it easy and have time to reflect between screenings, maybe pop home occasionally, check in with my family or go for some leisurely lunches. You know, the things it’s nice to do when you’ve taken a week off work. Unfortunately somewhere in the planning, that idea has been bulldozered. The changes in ticketing for the festival, a jam-packed programme to choose from and a kind of film festival FOMO have conspired to keep me as square-eyed as ever.

At the time of writing, I’m lining up 45 screenings across the 16 days of festival; from Hollywood yet-to-be-blockbusters like Jojo Rabbit and Little Monsters, French animation (I Lost My Body), and East Asian action (The Gangster The Cop The Devil, The Wild Goose Lake) to documentaries like The Hidden City, shorts (ALL the animation) and a smattering of classics (All About Eve, Bonnie and Clyde). It’s going to be an effort, but when the line-up is this varied and exciting, I want to make the most I can of the opportunity.

The Picture House has been the scene of some of my favourite LIFF memories and this year has some exciting offerings:

  • The Fall of the Romanov Dynasty – A 1926 silent found-footage film marking the 10th anniversary of the 1917 revolution with live piano accompaniment.
  • The Hidden City – a documentary by Víctor Moreno on subterranean worlds; the pipes, tunnels and transport beneath our cities.
  • Night of the Dead and the inaugural Sci-fi Day – the marathon events at HP are staples of the film festival programme and this year the line-up includes a sci-fi run back to back with NOTD. If you’re really going for it you could attempt both, and I’m sure some will!

Outside the Picture House, I’m really looking forward to:

  • The Gangster The Cop The Devil – Thanks to LIFF, I’ve discovered a love of Korean action. A gangster and a police officer hunt a serial killer – the trailer is promising and I have high hopes.
  • Come to Daddy – Elijah Wood in a grizzly family drama. It might tip into type-casting, but Wood does wide-eyed terror well and I expect it to be put to good use here.
  • Days of the Bagnold Summer – the directorial debut from Simon Bird (Will from The Inbetweeners) is an adaptation from the graphic novel of the same name by Joff Winterhart. A story of a teenage boy and his mum navigating a long summer holiday together. The cast includes British favourites Alice Lowe, Monica Dolan and Tamsin Greig, with Earl Cave (Nick’s son) in the central role.
  • Family Romance LLC – A Werner Herzog documentary exploring a business in Japan that rents out actors to substitute in others’ lives, like a nonfiction rendering of Yorgos Lanthimos’ 2011 film Alps. That film was strange enough and I’m interested to see how the real version might work. From the trailer and bits I’ve read online, it’s going to be an odd one.

With a programme that offers such a variety and by giving myself the freedom to take some risks, the LIFF experience to date has dramatically expanded my cinematic horizons. Before discovering them in the cinema, I probably would have skirted all sorts of excellent foreign-language films because they felt like too much of a challenge and I definitely wouldn’t have gone out to see many documentaries on the big screen. These days the reluctance has vanished and recent years have been a feast of the weird and wonderful.

Taking an afternoon off work to go to the cinema feels like a decadent treat, something you can file under ‘self care’ and spoil yourself rotten at a matinee. Take a whole day off to go to the pictures and it might start to feel strange – more than one film at this time of year and you’ll barely see daylight. Take a few more and step out of your day-to-day life, disconnect from rolling news and immerse yourself in the moving image. There in the dark, you might learn something new, experience something you wouldn’t have otherwise, and lose yourself in other people’s imaginations. It really is the most wonderful time of the year.

LIFF 2019 starts on Wednesday. I’ll see you in the cinema!

#LIFF2019 Preview #1

In the run up to the Leeds International Film Festival we’ll be taking a look at some of the films making up this years programme. First up is Stephen…

I wasn’t sure what to expect in this years selection of films but after last year’s late addition of Roma I was hopeful we’d get a chance to see The Irishman on a big screen. Disappointingly it wasn’t in the launch programme but that big gap on Thursday 7th was soon to be filled with Scorsese’s latest. This feels like the real opening film of the festival for me and I just hope the Town Hall seats aren’t too uncomfortable for the three and half hour running time. Netflix seem to making more effort to get this in cinemas and it should also be playing at the Picture House after the festival.

I love the variety of films shown at the festival and often find myself drawn towards the weirder sounding films. There don’t seem to be that many oddities in this year’s programme but perhaps that because the strangeness has gone into the mainstream with Jojo Rabbit. I’ve loved all of Taika Waititi’s films so far (Boy, What We Do In The Shadows, The Hunt For The Wilderpeople, Thor: Ragnarok – I still haven’t seen Eagle vs Shark) and I’m sure this won’t disappoint although the trailer left me a little cold.

In between those opening and closing films I’m currently planning on seeing around 50 films (and therefore really grateful that the Gold Explorer pass was introduced). Over the years I’ve come to trust the programming team and think there’s usually a good reason to see any of the films in the programme. I’ve tried to take a more practical approach to my schedule this year, trying to avoid dashes across town or upturning my entire plan to fit in films I assume I’ll be able to see elsewhere e.g The Cave, The Two Popes, Ordinary Love and Matthias & Maxime (by the way isn’t it strange that there are two films called The Cave as well as Marriage Story and A Marriage Story in the programme). If you are still making your plans and want to see a better view of when films are showing you may find this Clashfinder useful.

Most of the films I’m looking forward to are from directors I already know and have been praised at other film festivals. All of the following have headline slots and are likely to be popular:

  • Marriage Story – Noah Baumbach’s latest.
  • The Nightingale – Jennifer Kent’s follow up the The Babadook (2014).
  • The Lighthouse – I wasn’t a fan of The VVitch (2015) but keen to see what Robert Eggers has done with this.
  • Portrait of A Lady On Fire Girlhood (2014) and Tomboy (2011) are fantastic and Céline Sciamma’s latest film very different from those, she was also screenplay consultant on one of my favourite ‘forgotten’ LIFF films Bird People (2014).

Some of the lesser known films I’m looking forward to include:

  • Patrick – Really not sure what to expect from this but it was one film in the trailer reel that really stood out as a typical WTF LIFF film.
  • The Incredible Shrinking WKND – another strange sounding one dealing with time-loops. It’s part of the Sci-Fi day at Hyde Park and I’ve taken the easy option of settling in the the entire day.
  • La Belle Époque – the idea of being able to recreate any moment from the past sounds like an intriguing one.
  • Little Monsters – more well known but looks like a lot of fun.

I’m disappointed I haven’t been able to fit in more of the classic films, the Mother Cutter strand is a great idea and a wonderful selection of films. I do have some free time so I may be able to fit some of these films in as well. I’m also glad that the short films are getting more screenings, I’ve not been able to get to many of these in the last few years but this year it seemed easier to fit them around other films.

As always we’d love to hear from you, please leave comments below or head over to our Twitter and Facebook pages to tell us what you’re looking forward to at the Festival.

Bill’s Films of 2019

Five films that stick in my mind, in no particular order:

Loro (Them)

A very stylish Italian film directed by Paolo Sorrentino and starring Toni Servillo as Silvio Berlusconi. This is the ultimate cinema-goer’s guide to bunga-bunga parties, ostentation and (alleged … to protect me from the mafia 😎 ) corruption in Italian politics. It’s surely no coincidence that l’oro is Italian for gold.

Foxtrot

Director Samuel Moaz. A powerful anti war film set in a remote military outpost where four soldiers are spending their military service in the Israeli Defence Forces. The film won the Grand Jury Prize at the 2017 Venice Film Festival.

The Favourite

Director Yorgos Lanthimos. Great fun with Olivia Colman, Emma Stone and Rachel Weisz in C18 England. I doubt that Queen Anne would approve. A positive F-rating (highlighting what women contribute to film) for lead characters, and writer Deborah Davis (co-writer with Tony McNamara).

RBG

A documentary about American Supreme Court Justice, Ruth Bader Ginsburg. What a woman! What a career! Directors Betsy West and Julie Cohen also score highly on the F-rating.

If Beale Street Could Talk

Based on the James Baldwin novel, directed by Barry Jenkins. A well told struggle for life and a struggle for justice in 1970’s New York.

 

So once again the Picture House has offered us a great variety of films from around the world. And I didn’t even mention Burning (South Korea), or Happy as Lazzaro (Italy).


Bill Walton

2019 So Far…

As we enter the second half of the year it seems like a good time to look back over all the films shown at the Picture House so far. 2019 started strong for me with The Favourite and I confidently claimed it would be the best film of the year. I loved how it took something quite familiar but presented it in such a unique way by mixing together humour, tenderness and some ridiculousness.

The Favourite remained at the top of my favourites list until very recently when I caught up with Minding The Gap (unfortunately I didn’t get to see it in the cinema). This is one of those brilliant documentaries that starts telling one wonderfully engaging story but as events unfold becomes a film about something else completely. I found it incredibly moving and if you missed it it’s currently available on iPlayer.

Something I’ve noticed this year is that here in the UK we’re having to wait a long time to see some really acclaimed American  films. Minding The Gap was one of these but we had to wait the best part of a year to see Support The Girls (out this week and coming to Hyde Park later this month), Madeline’s Madeline and my third choice Eighth Grade. I’ve never been a teenage girl but I found Bo Burnham’s film so relatable. It manages to capture so much about hope and despair and all of life’s anxieties whilst being terrifying and funny in equal measures.

We didn’t have to wait quite as long to see If Beale Street Could Talk, a truly beautiful and moving film with an even better soundtrack and my fourth choice. Finally to keep this selection to only five films I’m going to include US. US didn’t quite live up to my expectations when I was watching it but it really hooked me in and it was a film I kept thinking about days later.

There we have it, my top 5 films shown at the Hyde Park Picture House so far this year are:

  1. Minding The Gap
  2. The Favourite
  3. Eighth Grade
  4. If Beale Street Could Talk
  5. Us

I should also mention there are quite a few other films that I really liked but saw them last year at film festivals before their 2019 release including: Pond Life, Colette, Can You Ever Forgive Me?, Beautiful Boy, Border, One Cut Of The Dead and probably others I’m forgetting about now.

Now it’s over to you, do share your highlights of the year in the comments or if you want to say a bit more we’re still looking for contributors so get in touch.

 

BlacKkKlansman (2018)

Showing multiple times from Friday 24th August
Panel Discussion With Leeds Black Film Club & the Racial Justice Network
Sunday 2nd September 5pm

Bill was going to encourage you to go and see BlackkKlansman, but he realised that Spike Lee himself does a much better job in this video:

Blackkklansman is already been called one of the most important films of the year and should provide plenty to talk about so The Picture House is excited to welcome representatives of the Leeds Black Film Club and the Racial Justice Network to participate in a post film discussion after our screening of BlacKkKlansman on Sunday 2nd September. The discussion will be not be limited to the panel and audience members are invited to share thoughts/questions and ideas about topics raised in the film including the relevance of Lee’s 1970s set American drama to contemporary British culture.

If you see the film and want to talk about it before the panel, why not leave a comment below. Or even better why not send us a review and become a contributor to this blog.

More Best Of 2018 Films

Continuing our look at some of the highlights of the year, here are my thoughts on 2018 so far. I’ve not been to see as many films this year but not because of a lack of choice. Many of the best films shown at Hyde Park this year were ones I was lucky enough to see at LIFF or other festivals, so my list doesn’t included the likes of Three Billboards…,  You Were Never Really Here, The Breadwinner or Journeyman.

Leaving me with the following:

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  • Leave No Trace
  • Lady Bird
  • A Quiet Place
  • Thoroughbreds
  • The Shape Of Water
  • Lean on Pete

It saddens me a little that these are all American films but look out for the Icelandic film Heartstone if that shows up in a programme down the line. I saw it at Keswick Film Festival in February and remains one of my favourite films of the year.

 

Bill’s Films of 2018 (so far)

What with the rain finally arriving, various ball game tournaments coming to an end and school terms drawing to a close, it must be the start of the great British summer. What better time to look back over all the films shown so far this year and pick out our favourites. Over the next few weeks our contributors will be posting their highlights, starting with Bill Walton:

  • Three Billboards Outside Ebbing, Missouri
  • Human Flow
  • A Fantastic Woman
  • Distant Sky – Nick Cave & The Bad Seeds Live in Copenhagen
  • The Shape of Water.
  • The Yorkshire Silent Film Day including Another Fine Mess, The Unknown, and Hamlet

A good list? Feel free to share you feedback and your own highlights of the year so far in the comments below.

Films of The Year Catch Up

As the year comes to an end we’re starting to think about the cinematic highlights of 2017 and we’ll be posting some of our favourite films in a few weeks’ time. As I started to think about my own list I realised that I’ve missed a lot of films that are showing up in other end of year lists. So here, in no particular order, is a top ten list of (possibly) the best films I didn’t see this year:

  • In Between
  • The Beguiled
  • Elle
  • I Am Not Your Negro
  • Lady Macbeth
  • Personal Shopper
  • A Quiet Passion
  • The Levelling
  • My Cousin Rachel
  • The Party

I’m going to try and catch up with some of these (Elle and A Quiet Passion are both on Netflix and I Am Not Your Negro and Lady Macbeth are included in Amazon Prime) which do you recommend I should see first? Also do let us know what your favourite films are and we can include them in our end of year round up. If you need a reminder of everything that has been shown at the Picture House this year, we have a list here.

 

Mid Year Favourites

With July on the horizon it seemed like a good time for some mid-year reflection. Before they headed off to Glastonbury, committee members Stephen and Bill picked their favourite films of 2017. As always, it would be great to hear your favourites in the comments. If you need a reminder here’s a page with a list of everything shown at the Picture House this year.

Bill

Three of my best films so far feature women taking the lead in tales of sex and violence.
Elle (2016)
Another stunning performance from Isabelle Huppert.
Chicago (1927)
Cecil B DeMille film featured in the Yorkshire Silent Film Festival , with live music. Phyllis Haver stars, supported by a strong cast.
Lady Macbeth (2016)
Florence Pugh plays the lead character, a charismatic and chilling performance.
I Am Not Your Negro (2017)
Damn Right I’ve Got the Blues! Samuel L Jackson narrates James Baldwin’s elegant accounts of the murders of Medgar Evers, Malcolm X, and Martin Luther King, and brings the American civil rights story up to date. Great archive footage and sound track.
The Other Side of Hope (2017)
An entertaining film, set in Finland, which uses comedy to challenge our stereotypes of refugee from Syria.

Stephen

“My Trilogy Of Grief”:  Manchester By The Sea, A Monster Calls and Jackie

I’m starting with a cheat by grouping three films together. All three came out early in the year and for many (i.e. Americans) were considered 2016 films. All three deal with grief and all remain three of my favourite films of the year.

20th Century Women

After seeing this I wrote “Just beautiful. I can’t decide if it’s life affirmingly brilliant or depressingly sad but it all feels so very real.

Prevenge

I’ll need to see this again to know if it’s really one of the best films of the year but the Valentine’s night screening with Alice Lowe was a great night and one of the reasons why we’re so lucky to have the Picture House. The same could also be said for the preview of Ben Wheatley’s Free Fire.

My Life As A Courgette

Despite appearances I still think this is one of the most honest depictions of life and growing up.

Some Other Films

I thought it was worth pointing out that I don’t feel like I’ve seen as many films this year but that’s only because a lot of this years releases were showing at the Film Festival. If I hadn’t already seen them I’d be considering the following for my list: The Handmaiden, Toni Erdmann, Moonlight,  Certain Women,  Life Animated and Mindhorn.

 

New Programme Chat & Drinks

Join us on Monday 5th September from 7pm at the Brudenell Social Club for a get-together to chat about the new cinema programme starting on September 9th.

We thought it would be a good idea to meet up and find out what everybody is looking forward to seeing. It would also be a good time to look back at the last few months and see how people think the year has been so far for film. We’re also looking for ideas for future posts on this blog and possibly even some new contributors.

We hope this can become a regular thing around each new programme. So come along and join us for drinks, chat and the opportunity to meet other Friends.

On Facebook? Join the event