This is the new film by Kore-eda Hirokazu. Like a number of his recent films the story [scripted by Kore-eda himself] deals with family relationships: here between a father, ex-wife and their son. His film career goes back to the early 1990s and his his output is varied: the 2006 Hana is a Samurai film that plays with the genre conventions. But the majority of his recent films have dealt with family issues and, in particular, the relationship between the worlds of adults and the worlds of children.
Still Walking / Aruitemo aruitemo (20080 covers a day-long visit by grown-up children to their older parents. The film is reminiscent, both thematically and stylistically, of the work of the great Japanese film master Ozu Yasujiro. I Wish / Kiseki (2011) deals with the attempts of a twelve year old to re-establish contact with his brother after a divorce. Finally, the wonderful Our Little Sister / Umimachi Diary (2012), adapted from a manga novel, follows the lives of four ordinary but beautifully characterised sisters.
These films by Kore-eda all fit into the Japanese film genre of Shomin-geki, stories of ordinary people. And like many films from South-East Asia, the films use food and meals as both plot devices and metaphors.
In an interview in the July Sight & Sound Kore-eda commented on the ‘storm’ in the film:
“A typhoon is part of everyday life in Japan. When i was a child, every time there was one, everything looked fresh in the morning. I remember going to school the morning after the big storm and the grass seemed greener. It was a kind of elevation of ‘ordinariness’. Nothing has been resolved; the problems are still three. But everybody feels cleansed after the storm.”
After the Storm was shot on 35mm and there is a 35mm print version, though I do not know if it is available in Britain. Hopefully it will look good on digital. Note, there are only two screenings at the cinema, but this will be a film that repays efforts to see it.