For a long time customers have asked about hosting screenings of National Theatre and other live theatre performances at the Picture House. Unfortunately due to some planning restrictions it’s just not possible for us to get these in our programme however our beautiful sister venue, the City Varieties Music Hall, will be playing them from this week onwards. The launch event for this exciting new strand of their programme will be this Thursday 9th March with Hedda Gabler by Henrik Ibsen starring the wonderful Ruth Wilson.
We’ve arranged for a discount for our Friends so if you would like to attend show your membership card and you’ll receive a discount as the Friends of the City Varieties would of £15.50 for a ticket instead of £17.
For our Friends’ Christmas special this year we are pleased to present Christmas in Connecticut (1945) this Wednesday 14th December.
Members are invited to join us from 5.45pm for a mince pie and a glass of sherry and to meet and speak with other members of the Friends then the film will screening shortly after 6.30pm.
This showing is free to members of the Friends but everybody is welcome and normal ticket prices apply to non members.
The film follows a sharp writer who, despite never setting foot in a kitchen, writes a cooking column for a women’s magazine. In order to trick her publisher, she poses as a happy homemaker, complete with husband, baby and country estate. Her goose is cooked when the publisher arranges for her to host a sailor over the Christmas holidays. The journalist has to marry her boyfriend, find a home and prepare a spectacular meal for a huge magazine spread. Things grow even more complicated when she starts to fall for her guest.
Friends member Rob Baker reviews Eternity and a Day which screened recently as part of a small season of films in conjunction with Amnesty International Leeds.
After Arrival (2016) we have another film playing with concepts of time. Eternity and a Day (1998) is the second of three screenings at the Picture House organised by the local Amnesty group’s Refugee and Asylum Seeker Sub-Group.
Alexander (Bruno Ganz) is an aging Greek poet who believes he is facing his last day on earth. An unnamed medical intervention is planned for the next day, and he does not expect to recover – we almost get an impression of voluntary euthanasia. He starts the day trying to find a home for the dog he knows he must leave behind.
Alexander time-shifts through the day, re-living encounters with his parents (only his ailing mother now survives), his young wife (deceased), and his daughter both as a child and grown up (bringing us to current time). With the exception of a couple of scenes showing him as a child, playing on the beach with other children, with his Mother off-screen calling him to come in for dinner, Alexander appears in most of these scenes as his current late middle-aged self. We are even taken back to the mid 19th century with the appearance aboard a Thessaloniki night-bus of a long dead poet, whose key unfinished work Alexander has set himself the task of finishing, though of course he hasn’t – “Nothing is finished” he laments.
Powerful symbols of “passing on” intrude on the scene, with buses and ships, even a trio of cyclists in yellow oilskins, hoving into view behind the protagonists. The constant leitmotif of the film is the Aegean shoreline where nearly all the family encounters of the past and present play out. The sea, the final frontier for us all to cross, sparkles in the sunshine.
The film festival is over for another year and once again has provided Leeds with a fantastic selection of films. Below we share five of our highlights from the festival and would love to see yours in the comments:
Bill
There are so many films being made around the world! The Leeds Film Festival programme is just a small sample, and the thirty or so films I saw are just a small sample of what the Festival had to offer. Here are 5 films that I enjoyed, in no particular order:
Sieranevada – a beautifully directed and acted glimpse of a Romanian
family’s memorial commemoration, which also says something about wider
Eastern European society.
Chi-raq – Spike Lee’s theatrical exploration of the issues around Black
Lives Matter, made with the involvement of people living in Chicago’s
Southside.
Lonesome – a love story, with live organ accompaniment, mostly set in
Coney Island, and made at a time when silent films were giving way to
the new ‘talkies’
The Handmaiden – an exciting and beautiful Korean/Japanese story, with
different perspectives challenging us to work out what is really going
on
Fukushima, Mon Amour – the aftermath of the earthquake, tsunami, and
nuclear reactor meltdown, is the setting for this film about the lives
of people 5 years later, as seen through the eyes of a German woman who
wants to bring some pleasure to their lives
I could have added another 5 quite easily.
Keith
The Art of Negative Thinking– Scandinavian filmmakers excel at combining disability and humour.
Certain Women –Three well crafted stories, four excellent performances.
Mimosas – Very fine visually but the story requires careful thought and study.
Old Stone – A good Samaritan suffers under Chinese capitalism.
Woman of the Dunes – A black and white classic in a good 35mm print.
Stephen
Mindhorn – The funniest film since What We Do In The Shadows. I’d forgotten how fantastic it is to see an incredibly funny film in a packed cinema. We laughed so hard we probably missed half the jokes. Followed by a brilliant surreal Q&A.
A Man Called Ove – Perfectly combining humour and humanity, everything comes together to remind you there is some good in the world.
The Autopsy of Jane Doe – The best horror film I’ve seen in some time. Delivers intelligent thrills and never outstays it’s welcome by becoming too silly.
Breakfast at Tiffany’s – Seeing this projected (from 35mm) gave me a new appreciation and managed to completely charm me where I’d previously been underwhelmed.
Two Lovers and a Bear – A complete surprise, I knew nothing about this film and found it all completely delightful.
This was the strongest festival I remember and I’d recommend nearly all the films I saw. My next 5 films were Pet, The Birth of A Nation, The First, The Last,Life Animated and Paterson.
Jake
Certain Women – Kelly Reichardt’s most fully realised film to date. Maile Meloy’s short stories perfectly compliment each other, providing a perfect counterpart to Reichardt’s earlier adaptations of Jon Raymond. Great performances from the central cast, especially Laura Dern and relative newcomer, Lily Gladstone.
Mister Universo – Tizza Covi and Rainer Frimmel’s simple fiction played out by real life members of the Italian circus community. A beautiful intersection between fact and fiction, that functions as both a road movie and an affectionate family portrait.
The Woman of the Dunes – Teshigahara/Abe’s Sisyphusian nightmare. A classic. So glad I got to see this on a big screen on 35mm.
Graduation – Doting father, Romeo, walks moral tightropes in this austere drama from Cristian Mungiu. Shades of Haneke’s Hidden in it’s creeping sense of dread.
Mimosas – Ecstatic fiction, quasi-western with the Atlas mountains as a backdrop. Shakib Ben Omar is a wild, charismatic lead. A natural heir to Ninetto Davoli.
It is the 30th edition of the Leeds International Film Festival this November. From its instigation in 1987 by members of the Friends of Hyde Park Picture House the festival has consistently presented a wide-ranging programme of films and film based events annually, across a shifting landscape of city venues.
Laura Ager, a volunteer at the Hyde Park Picture House who has worked with the film festival in various roles over the last 10 years, recalls how she first became interested in the history of the festival and, in the course of her research, has tracked down some of its former directors and supporters to ask them what the festival meant to them.
Two typed documents, discovered by chance in the office of the Leeds International Film Festival at Leeds Town Hall, announced the coming of The Leeds International Film Festival.
In November 1987, the Leisure Services department at Leeds City Council proclaimed that in 1988:
Leeds, the birthplace of the film industry, will celebrate the centenary of the moving image by holding a major international film festival.[1]
This film festival would celebrate 100 years since Louis le Prince filmed the people and traffic in ‘Leeds Bridge Scene’ at a spot now marked with a Leeds Civic Trust blue plaque.
The Leeds International Film Festival took place from 13th – 29th October 1988. On the first day, the famous traffic scene was reconstructed on Leeds Bridge at 2pm, later on that day a ‘black & white ball’ was held in the Town Hall. The film programme addressed eight themes that year: comedy, horror, war, music in films, images of England, animation, women and film and documentary[2]. Continue reading →
Bill Walton takes a look at In The Mood For Love ahead of Saturday’s 35mm screening and panel discussion on the Chinese film industry.
“He remembers those vanished years. As though looking through a dusty window pane, the past is something he could see, but not touch. And everything he sees is blurred and indistinct.”
The magic of cinema offers many tantalising glimpses into other cultures, other times, other ways of seeing. Whether it’s transgender sex workers in California (Tangerine, 2015), censorship in Iran (Taxi Tehran, 2015), the self-justification by Indonesian death squads (The Act of Killing, 2012), corrupt officials in Russia (Leviathan, 2013), or life on a council estate in Bradford, Yorkshire (The Selfish Giant, 2013) … we can always gain from such different ways of seeing the world.
In the Mood for Love brings to life Hong Kong in the ‘60s. While there is a powerful code of propriety it cannot completely crush the intense desires for intimacy between a man and women whose marriages are not going well. The film subtly explores loneliness and hope, love and betrayal. The cultural context is integral to the story. I found that Wong Kar-wai’s attempts to tackle such themes in the United States (My Blueberry Nights, 2007) did not work nearly as well.
Chow Mo-wan (Tony Leung):“Feelings can creep up just like that. I thought I was in control.”
Everything about this film is beautiful, from the acting, the photography (Christopher Doyle), and the haunting music, to the design of the credits. No wonder it was recently voted by critics to be one of the greatest films of the 21st Century. This screening has been arranged with the Business Confucius Institute and will be preceded by a panel discussion examining the state of contemporary Chinese cinema.
Su Li-zhen (Maggie Cheung): You notice things if you pay attention.
On Yorkshire Day (August 1st) a Special General Meeting of our members approved changes to our constitution so that we could become a Registered Charity. The Charity Commission were satisfied with our application and we have now been officially entered on the Register of Charities with the Registered Charity Number 1168835.
The timing is good. Charity status can only help us in our support for the exciting developments at the cinema, following their success in gaining Heritage Lottery funding.
The early evening slot for Creatures of The Night continues with Ridley Scott’s Thelma and Louise, Bill Walton takes a look at the film on its 25th anniversary.
Thelma: “You said you ’n’ me was gonna get out of town and for once just really let our hair down. Well darlin’, look out ‘cause my hair is comin’ down!”
No shit, as they say.
Released to great controversy in 1991. Revolutionary? YES. Dated? NO, still fresh, sharp and funny. Not just that, it smashed through the Bechdel Test (2 women who talk to each about something besides a man). And a woman writer too (Callie Khouri).
Susan Sarandon and Geena Davis are hot. The waitress and the housewife are takin’ to the road … crude truck drivers, mean cops, and rapists look out!! The sisterhood is gloriously defiant… Harvey Keitel, Michael Masden, Brad Pitt and the rest will not be untouched. The personal and political intertwine.
Great soundtrack (blues and reggae). Director, Ridley Scott. Enjoy it on the big screen, darlin’s.
We would like to invite all members to attend a Special General Meeting on Monday 1st August 2016 at 7.30pm to be held at the Hyde Park Picture House.
The only items of business will be two Special Resolutions (details below) proposed by the Committee of the Friends of the Hyde Park Picture House.
To come into effect, these resolutions must be passed by not less than two thirds of the members present and voting at the meeting, so it is important that you come and vote.
Never one to let a meeting be too much business we have arranged this Special General Meeting to coincide with our annual Yorkshire Day screening which is free to members. Our film this year is SOUTH RIDING (1938) which will screen at 8.30pm.
While the meeting must be members only the screening is open to all and remember that members can invite up to three guests at members prices for any screening up until the end of August.
Appropriately Yorkshire themed refreshments will be provided!