The Last Tree, Britain 2019

Screening on the coming Saturday, Sunday, Wednesday and Thursday

This is the second feature both written and directed by Shola Amoo. It is fine production, beautifully put together. The cast are good with a fine leading performance by Sam Adewunmi as Femi. The film follows his development as a young boy with a foster-parent, through life with his actual mother up until his late teens. The setting move from rural Lincolnshire to urban inner-city London. Visually and aurally the film is a pleasure. There is fine cinematography by Stil Williams, fine editing by Mdhamiri Á Nkemi and excellent sound design by a team of engineers.

The narrative and representations are less sure. Both the supporting characters and the settings tend towards stereotypes. This is partly because they are undeveloped; for example, we never really get a proper back-story either for the foster-parent or for Femi’s actual mother. Underneath some distinctive settings and plotting there is a fairly conventional narrative.  The music is judicious but I think that it [deliberately] emphasises the conventional aspects of the story.

The script uses a number of extended ellipsis and I think this introduces an element of fragmentation into Femi’s story. This seems to me an example where the director would have benefited from a fellow scriptwriter.

Even so it is an absorbing title and is great to both watch and listen to. And the subject is both interesting with a contemporary relevance. Definitely worth going to see at the cinema as it is in both colour and full widescreen.

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