From Friday December 7th until Thursday December 13th
This film was the worthy winner of the Palme d’Or at Cannes this year and of the the Asia Pacific Screen Award for Best Feature Film. It came fourth in the Audience voting at the Leeds International Film Festival; to my mind an underestimate. I rate it one of the three or four best films released this year.
The film is was written, directed and edited by Koreeda Hirokazu. His previous films include the very fine Our Little Sister / Umimachi Diary (2015) and I Wish / Kiseki (2011). Like his earlier films this fits into a cycle of titles that explore representations of the family. Koreeda has done this in a variety of genres but the films all fit into a Japanese genre known by scholars as ‘shomin-geki’, the lives of the common or ordinary people. A major influence here, acknowledged by Koreeda, are the films of Naruse Mikio, one of the masters of classical Japanese cinema. Both directors present portraits of people from the petit-bourgeois, working class and, even the lumpen-proletariat.
The title of this new film describes an activity practised by the main characters. But there is much more to the film than this. As in his other films the cast are excellent and the characterizations and the relationships between kith and kin are both fascinating and complex. The film is realist but with elements of melodrama and moments of intense emotion.
The production values are great. Both the cinematography by Kondo Ryuto and the music by Haruomi Hosono are visually and aurally impressive. The title screens from a DCP but was filmed on 35mm and several digital formats, including Arri and Canon cameras. There are particular moments of superimpositions and one very fine overhead shot that recall the recent The Third Murder / Sandome no satsujin (2017) and the earlier Our Little Sister. This film is in colour, standard widescreen and has English subtitles. It runs 121 minutes. I cannot think of a better two hours spent at the moment.
If you have never seen a film by Naruse Mikio the BFI do have a 35mm print of his 1964 title Yearning / Midareru. This not only has a fine narrative but is graced by the presence of the great Japanese star Takamine Hideko. To see this would be a treat and an interesting comparison with the work of Koreeda.