My #LIFF2018 roundup

The film festival is over for another year and what an amazing two weeks it was. I managed to fit in 47 films with a total running time of 82 hours which I thought was a lot until I saw somebody had made it to 70-something screenings. I think it’s an incredible achievement by everybody involved that it’s possible for somebody to see so many films and find something to like about all of them. There were some films I struggled with (Happy As Lazzaro and Birds of Passage) but I think this was more down to my own tiredness (one of the problems of seeing so many films). Other films such as Genesis 2.0, Killing God, Await Further Instructions and I Feel Good all had great ideas that got a bit lost in the final film.

My favourite films this year were all retrospectives from the brilliant Time Frames series. I’ve always loved the Before films and it was relief to find Before Sunrise was as good as I remembered. I finally got to see 12 Angry Men for the first time and it was every bit as good as I had expected. 12 Angry Men was one of many films that seemed surprisingly relevant for 2018, as was Sidney Lumet’s other film,  Fail-Safe, another first viewing for me and made even more tense by the shadow of Trump hanging over it.

Of the new films it was Anna and The Apocalypse that I enjoyed the most. It’s the best Scottish zombie high school Christmas musical you’re going to see for some time and the soundtrack (out now) is brilliant. The audience for Pond Life seemed to be made up mostly of cast, crew and their friends and I’m not sure how many festival goers saw it or what people not involved with the film thought of it. It’s far from a perfect film but there was something about it that I really loved and I do hope that when it’s released next summer it finds an audience that appreciated it as much as I did.  In Fabric was another new film that completely pulled me in;I can’t begin to explain what it was about but I absolutely loved it.

This year I was also pleasantly surprised by a lot of the more ‘mainstream’ films. One of my few 5 star ratings was for Beautiful Boy and Can You Ever Forgive Me?, Widows, The Kindergarten Teacher and Colette were all much better than I was expecting.

I’ve tried to put all the films I saw in some order over on Letterboxd where you can also find my brief thoughts hastily written between films or at the end of a long day.

It would be great to hear your thoughts on the festival in the comments or if you would like to write a longer blog post (on the festival or anything else) get in touch.

One thought on “My #LIFF2018 roundup

  1. Thankfully ‘Anna and the Apocalypse’ is the only ‘Scottish zombie high school xmas musical ‘ for me.
    Whereas I thought ‘Happy as Lazzaro’, in particular, and ‘Birds of Passage’ were both very fine. I did also enjoy the ‘Time Frames’ screenings, especially seeing ‘Cleo from 5 to 7’ once more.
    I have to say that some of the other venues were not an enjoyable as the Hyde Park Picture House. Screen 11 at Vue was large and commodious but suffered from a defective speaker, more noticeable when the soundtrack included heavy bass. Whilst the Town Hall’s Victoria concert hall is hard on amplification and this year suffered from very loud bass settings.
    Foretunately quite a few of the best titles this year will also get proper British releases. We will exhort you to see those that Stephen mentions and the incomparable ‘Shoplifters’ and ‘Wild Pear Tree’.

    Like

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