Actress and screenwriter, Greta Gerwig is a busy woman! Last year, Gerwig showed up in not one, but two great UK releases. In Mia Hansen-Love’s Eden (2014), she had a scene stealing role as Julia, the former girlfriend of protagonist, Paul. Then later in the year, she co-wrote and starred in Mistress America (2015), a brilliant comedy about the developing friendship between stepsisters-to-be, Brooke and Tracy.
This week, once again, Greta stars in two films; An extra screening of Rebecca Miller’s Screwball-esque comedy of remarriage, Maggie’s Plan, is on Thursday at 8:45pm. Then on Friday Hyde Park Picture House are starting their run of Todd Solondz’s new film Weiner-Dog, where Greta plays a reincarnation of Dawn Weiner, the iconic character from Solondz’s debut, Welcome to the Dollhouse (1995).
After her early collaborations with filmmakers like the Duplass brothers, Joe Swanberg and Mary Bronstein, she decided the Dogme style aesthetic wasn’t for her (“shaky cameras make me sick. I get motion sickness when I look at them. There are some film-makers I love and yet I cannot watch their movies. I threw up during the first half of [Lars von Trier’s] Melancholia.”), and has since really come into her own as a screen presence. She is, in my opinion, responsible for two of Noah Baumbach’s better films, 2013’s Frances-Ha, and the aforementioned Mistress America, and is set to make her solo writing-directing debut next year with Lady Bird. I’m always intrigued about her upcoming projects. Keep them coming, Greta.