Bill Walton selects some films from the Cinema Versa strand of the festival programme:
Last Festival I only managed to see two documentaries (in the Cinema Versa section): Something Left Behind (2018) about the legendary Leeds band The Wedding Present; and What is Democracy? (2018) which highlighted how the very understanding of democracy varies from place to place around the world and over time.
They inspired me to make sure that I see more Cinema Versa films this time. So far on my list are:
Next in our series of posts on Leeds International Film Festival, Hannah tells us about her festival plans…
Last week, on a bit of a nostalgia trip, I watched the French film A Town Called Panic (2009) This showed on bonfire night at the Picture House during LIFF24 in 2010 and was my first taste of the film festival. Since then, my festival has steadily grown from the occasional odd film when I happened to be in Leeds to being an essential fortnight of my autumn calendar, around which all other things must be carefully arranged.
This year I’m going
full tilt into LIFF (can we call it LIFF33?). After 2018, I said I’d take it
easy and have time to reflect between screenings, maybe pop home occasionally,
check in with my family or go for some leisurely lunches. You know, the things
it’s nice to do when you’ve taken a week off work. Unfortunately somewhere in
the planning, that idea has been bulldozered. The changes in ticketing for the
festival, a jam-packed programme to choose from and a kind of film festival
FOMO have conspired to keep me as square-eyed as ever.
The Hidden City– a documentary by Víctor Moreno on subterranean worlds; the pipes, tunnels and transport beneath our cities.
Night of the Dead and the inaugural Sci-fi Day – the marathon events at HP are staples of the film festival programme and this year the line-up includes a sci-fi run back to back with NOTD. If you’re really going for it you could attempt both, and I’m sure some will!
Outside the Picture
House, I’m really looking forward to:
The Gangster The Cop The Devil – Thanks to LIFF, I’ve discovered a love of Korean action. A gangster and a police officer hunt a serial killer – the trailer is promising and I have high hopes.
Come to Daddy– Elijah Wood in a grizzly family drama. It might tip into type-casting, but Wood does wide-eyed terror well and I expect it to be put to good use here.
Days of the Bagnold Summer– the directorial debut from Simon Bird (Will from The Inbetweeners) is an adaptation from the graphic novel of the same name by Joff Winterhart. A story of a teenage boy and his mum navigating a long summer holiday together. The cast includes British favourites Alice Lowe, Monica Dolan and Tamsin Greig, with Earl Cave (Nick’s son) in the central role.
Family Romance LLC– A Werner Herzog documentary exploring a business in Japan that rents out actors to substitute in others’ lives, like a nonfiction rendering of Yorgos Lanthimos’ 2011 film Alps. That film was strange enough and I’m interested to see how the real version might work. From the trailer and bits I’ve read online, it’s going to be an odd one.
With a programme
that offers such a variety and by giving myself the freedom to take some risks,
the LIFF experience to date has dramatically expanded my cinematic horizons.
Before discovering them in the cinema, I probably would have skirted all sorts
of excellent foreign-language films because they felt like too much of a
challenge and I definitely wouldn’t have gone out to see many documentaries on
the big screen. These days the reluctance has vanished and recent years have
been a feast of the weird and wonderful.
Taking an afternoon off work to go to the cinema feels like a decadent treat, something you can file under ‘self care’ and spoil yourself rotten at a matinee. Take a whole day off to go to the pictures and it might start to feel strange – more than one film at this time of year and you’ll barely see daylight. Take a few more and step out of your day-to-day life, disconnect from rolling news and immerse yourself in the moving image. There in the dark, you might learn something new, experience something you wouldn’t have otherwise, and lose yourself in other people’s imaginations. It really is the most wonderful time of the year.
LIFF 2019 starts on
Wednesday. I’ll see you in the cinema!
In the run up to the Leeds International Film Festival we’ll be taking a look at some of the films making up this years programme. First up is Stephen…
I wasn’t sure what to expect in this years selection of films but after last year’s late addition of Roma I was hopeful we’d get a chance to see The Irishman on a big screen. Disappointingly it wasn’t in the launch programme but that big gap on Thursday 7th was soon to be filled with Scorsese’s latest. This feels like the real opening film of the festival for me and I just hope the Town Hall seats aren’t too uncomfortable for the three and half hour running time. Netflix seem to making more effort to get this in cinemas and it should also be playing at the Picture House after the festival.
I love the variety of films shown at the festival and often find myself drawn towards the weirder sounding films. There don’t seem to be that many oddities in this year’s programme but perhaps that because the strangeness has gone into the mainstream with Jojo Rabbit. I’ve loved all of Taika Waititi’s films so far (Boy, What We Do In The Shadows, The Hunt For The Wilderpeople, Thor: Ragnarok – I still haven’t seen Eagle vs Shark) and I’m sure this won’t disappoint although the trailer left me a little cold.
In between those opening and closing films I’m currently planning on seeing around 50 films (and therefore really grateful that the Gold Explorer pass was introduced). Over the years I’ve come to trust the programming team and think there’s usually a good reason to see any of the films in the programme. I’ve tried to take a more practical approach to my schedule this year, trying to avoid dashes across town or upturning my entire plan to fit in films I assume I’ll be able to see elsewhere e.g The Cave, The Two Popes, Ordinary Love and Matthias & Maxime (by the way isn’t it strange that there are two films called The Cave as well as Marriage Story and A Marriage Story in the programme). If you are still making your plans and want to see a better view of when films are showing you may find this Clashfinder useful.
Most of the films I’m looking forward to are from directors I already know and have been praised at other film festivals. All of the following have headline slots and are likely to be popular:
The Lighthouse– I wasn’t a fan of The VVitch (2015) but keen to see what Robert Eggers has done with this.
Portrait of A Lady On Fire– Girlhood (2014) and Tomboy (2011) are fantastic and Céline Sciamma’s latest film very different from those, she was also screenplay consultant on one of my favourite ‘forgotten’ LIFF films Bird People (2014).
Some of the lesser known films I’m looking forward to include:
Patrick– Really not sure what to expect from this but it was one film in the trailer reel that really stood out as a typical WTF LIFF film.
I’m disappointed I haven’t been able to fit in more of the classic films, the Mother Cutter strand is a great idea and a wonderful selection of films. I do have some free time so I may be able to fit some of these films in as well. I’m also glad that the short films are getting more screenings, I’ve not been able to get to many of these in the last few years but this year it seemed easier to fit them around other films.