The Blues Brothers

Showing Saturday 24th November 10:30pm


Sister Mary Stigmata (Kathleen Freeman) to the Blues Brothers: “You are such a disappointing pair. I prayed so hard for you. It saddens and hurts me that the two young men whom I raised to believe in the Ten Commandments have returned to me as two thieves, with filthy mouths and bad attitudes.
Get out, and don’t come back until you’ve redeemed yourselves.”

‘Joliet’ Jake Blues (John Belushi): “We’ll put the band back together, do a few gigs, we get some bread. Bang! Five thousand bucks.”

Elwood Blues (Dan Aykroyd): “We’re on a mission from God”.

The Blues Brothers takes us into the world of Joliet Correctional Center, honky-tonks and sleazy backstreets, the “L” train, shopping malls, the Chicago Cubs, gas stations, Bob’s Country Bunker, the Palace Hotel Ballroom, and Chicago City Hall; a world of music, carnage and mayhem,  not to mention a varied diet of soul food, prawn cocktails, beer, dry white toast, cocaine, and Cheez Whiz.

Theirs is a world populated by nuns, gospel choirs, Holiday Inn resident musicians, Illinois Nazis, Good Ol’ Boys, and jilted sweethearts. The music and dance numbers are fabulous and fun. Get rocking with the Blues Brothers band, James Brown, Cab Calloway, Aretha Franklin, Ray Charles, and John Lee Hooker, amongst others. There’s country and western too (“We got both kinds”).

But Elwood has run up 116 outstanding parking fines and 56 other traffic violations. The authorities are after them. Use of unnecessary violence in the apprehension of the Blues Brothers HAS been approved. But the cops haven’t reckoned with the Bluesmobile (an ex-police Dodge Monaco).

Elwood: Our Lady of Blessed Acceleration, don’t fail me now.

The car chases involved more than 40 stunt drivers, plus many stunt pedestrians. 103 cars were wrecked during filming (a world record at the time).

Bill with the Bluesmobile in Illinois

So can Jake and Elwood outwit the cops, the SWAT teams, Sherman tanks, helicopters, the Nazis, the mystery woman (Carrie Fisher), and the Good Ol’ Boys and accomplish their mission?

The Lord moves in mysterious ways!

This cult film was made for the big screen. So dig out your trilby fedoras and  Ray-Ban Wayfarers, and get yourself down to the late night screening of The Blues Brothers at 10.30 pm on Saturday November 24th.


Bill Walton

Do the Right Thing (1989)

Creatures of the Night, Saturday 18th August 18th 10:30pm

Do The Right Thing

Phew, What a Scorcher!! I’m not talking Leeds 2018. I’m talking 30 years back when blood temperatures matched air temperatures in Brooklyn.

Director Spike Lee takes us into the smells of sweat and garbage on a Sunday in Bedford-Stuyvesant. Here we find the Blacks and Italians, Hispanics and Koreans, living and working together. And the cops and firefighters too. Do the Right Thing was inspired by real incidents in the Baked Apple we also know as New York City.

Mister Senor Love Daddy (Samuel L Jackson): Whoa. Y’all take a chill. You got to cool that shit off. And that’s the double-truth, Ruth.

So get out the cold beers, the ice, the fans, and turn on the fire hydrants. We’ll find the summer heat is taking its toll on everyone. Tempers are rising too.

Boring this movie is not. Analytical it is not. Do the Right Thing is a gripping, funny and stylish drama of Love and Hate, with a wonderful cast (including Spike Lee himself, Ossie Davis, Ruby Dee, Danny Aiello, John Turturro, Richard Edson, Bill Nunn, Roger Guenveur Smith) and many locals from the area who are not famous names, The film-makers even paid Fruit of Islam to keep away local drug dealers who were worried about this interruption in their trade.

ML (Paul Benjamin): Well, gentlemen, the way I see it, if this hot weather continues, it’s going to melt the polar caps and the whole wide world. And all the parts that ain’t water already will surely be blooded.
Coconut Sid (Frankie Faison): You’re a simple motherfucker. Now where you read that shit, eh? Polar caps…
ML: Don’t worry about it. But when it happens, and I’m in my boat, and your black asses are drowning, don’t call for me to throw you no rope, no lifesaver, or no nothing.
Sweet Dick Willie (Robin Harris): You fool! You’re 30 cents away from having a quarter! Where the fuck you gon’ get a boat?

Spike Lee’s brilliant movie does raise many difficult questions and gives us no easy answers. It’s not just climate breakdown that is so up to date …  Black Lives Matter, boycotts, sexism, reparation, “decolonisation” of cultural images, and other drivers of racial tension are all boiling away in this steamy and complex stew. There’s even a mention of a potential Trump Plaza/pizza empire in Bedford-Stuyvesant! It’s us who need to come up with our own answers.

And it’s not easy when the odds are stacked against you:

Buggin’; Out (Giancarlo Esposito): You the man.
Mookie; (Spike Lee): No you the man.
Buggin’; Out: You the man.
Mookie: No you the man.
Buggin’ Out: No. I’m just a struggling Black man trying to keep my dick hard in a cruel and harsh world.

Our movie’s title comes from a Malcolm X quote, “You’ve got to do the right thing.” But what IS the right thing? Dr. Martin Luther King, Jr. argues that violence is never justified under any circumstances; Malcolm X, argues that violence is not violence, but “intelligence” when it is used in self-defence.

And Mister Senor Love Daddy says: My people, my people, what can I say; say what I can. I saw it but didn’t believe it; I didn’t believe what I saw. Are we gonna live together? Together are we gonna live?

It’s all there. Empathy and respect; miscommunication and hate. Public Enemy sings “Fight the Power”. Al Jarreau sings “Never Explain Love”.  And we’re still standing. Even Barack  and Michelle Obama who went to this movie on their first date in 1989.

Da Mayor: Doctor…
Mookie: C’mon, what. What?
Da Mayor: Always do the right thing.
Mookie: That’s it?
Da Mayor: That’s it.
Mookie: I got it, I’m gone

So, do the right thing. That’s YOU! No excuses. Get your sorry ass down to the Picture House on August 18th.


Bill Walton

Barbarella: 60’s Space Romp

Creatures of the Night: Saturday 5th May 10:30pm

Barbarella (1968), based on the French comic series of the same name (by Jean-Claude Forest), is a cult classic for a reason. Several reasons really.

We (the audience) follow the beautiful space adventurer Barbarella (Jane Fonda) on her mission to retrieve the scientist Dr. Durand Durand, to stop his super weapon, the positronic ray, falling into the wrong hands.

The opening scene, iconic and eternal,  Barbarella, floating around her ship, undressing. It just gets better and better. The Sci-Fi adventure is a product of its time, Jean-Claude wanted Barbarella to be representative of a free and liberated woman. This was the 60’s, and it was all about free love. Barbarella faces numerous perils in her journey to find Durand Durand, discovering sex and pleasure along the way. One early sequence, Barbarella is taught what “actual” sex is, as opposed to what has developed on earth in the future (taking pills and touching hands), far from the natural way of doing things. You can really see the films influence on future sci-fi film’s tackling of sex ( see Demolition Man).

From start to finish, the film is steeped in eroticism, fashion and far out ideas. To compare it to another cult classic, 2001:A Space Odyssey which came out the same year, a cold realistic view of space and humanities future. Barbarella came out of the psychedelia of  the 1960s, one of the most striking aspects of the film is the bizarre scenery that the titular character crashes into from scene to scene. It’s far out maaaaan.

Dealing with a chaotic, bizarre and weird worlds, we follow Barbarella on her weird journey of her mission to save the universe, and her own personal sexual exploration. Barbarella’s use of sex is inherent to film and its plot.

The film doesn’t feel hemmed in by tropes or rules, and because of this, we get an enjoyable, if not a little chaotic film. Some aspects of it may seem dated, but that comes with any piece of cinema.

If you are in the mood for a weird sci-fi space adventure with erotic overtones, Barbarella is the film for you.

You may also like these non-erotic recommendations;

  • Logan’s Run
  • Demolition Man
  • Flash Gordon

Henry Stocks-Fryer

Hairspray, USA 1988

Showing Saturday 31st March 11pm

Maybe you are too young to remember the ‘60s.
And if you remember the ‘60s, you really weren’t there!!
Now, who first said that … was it Timothy Leary, Pete Townshend, Grace
Slick, Robin Williams or someone else? … well, whoever it was, this
great John Waters movie is your gateway to early ‘60s Baltimore.

Hairspray reveals a world of big hair, plus-size models, the Corny Collins
teenager dance show (with its “Negro Day” on the last Thursday of every
month), Allen Ginsberg’s “Howl” and, of course, exuberant dances like
The Twist, The Mashed Potato, and The Watusi.

Motormouth Maybelle Stubbs (Ruth Brown): No matter what you’ve
heard, we are gonna teach the white children how to do The Bird!

Despite the upbeat music, all is not well in Maryland. Racism is an ever-
present reality. Life is certainly a bit of a challenge for some of the
parents like Edna and Wilbur Turnblad (Divine and Jerry Stiller), and
Velma and Franklin Tussle (Debbie Harry and Sonny Bono). And it’s not
just the dancing. Listen up …

Amber Von Tussle, Franklin von Tussle: Segregation today. Segregation
tomorrow. Segregation forever!

But the times, they are a changin’. Something’s blowin’ in the wind.
Iggy (Josh Charles): Would you swim in an integrated swimming pool?

Tracy Turnblad (Ricki Lake): I sure would, Iggy. I’m a modern kind of girl,
I’m all for integration.

It’s subversive. It’s gleeful. It’s bawdy. And the issues raised by
Hairspray remain very relevant today. Be there or be square!

As delightful Tracy Turnblad exclaims: Let’s dance!


Bill Walton

Aliens: Ripley’s Back Believe It or Not

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Released in 1986, the xenomorph returned to the silver screen under the vision of budding Canadian Director James Cameron, who got his start with Piranha II: The Spawning (seriously look it up).

Cameron’s incarnation of the Alien universe is different to the atmospheric space horror that Ridley Scott brought to life, bursting through some poor souls chest and into our collective consciousness. Cameron made Alien into an action-movie. That’s not a bad thing.

We return to Ripley (played by the wonderful Sigourney Weaver), who has been floating around in statis for 57 years. She’s rescued and unfortunately, no one really believes her stories of aliens and blowing up ships for legitimate reasons. The audience can really join in with the Socratic irony of the this, the enraging knowledge that THERE’S ALIENS and no one really believes her. Oh how wrong they were.

Ripley, along with a rag-tag group of marines, is sent to investigate a colony that has gone erily silent. This is where elements of Cameron’s Aliens take hold, where horror shifts gracefully (or not so) into action. Ships, guns and plenty of flame throwers make this ride into the Aliens universe intense in a whole other way, and the ending….oh boy.

Cameron isn’t just explosions and one-liners, he continues to explore the themes set out by Scott in the previous film. Ripley’s distrust of androids and the uncanny valley that comes with that territory is explored further with her interactions with Bishop (Lance Henriksen), a staple of science fiction, with good reason.

The extent of mega corporations power in the future, the ineptitude of those in power, survival and the horrors of things we do not know. Aliens is favourite amongst science fiction fans, because it explores these themes, and at the same time…it’s an adventure.

Ellen Ripley, is the real star of this, not the xenomorph (sorry Giger). Ripley is possibly the start of a long line of amazon-heroines. Sarah Connor, Xena, Buffy…the list goes on. But Ripley was at the forefront, and Weaver’s performance in this well rounded/written character cements her as an icon. This stock character is a firm favourite of mine, and Ellen’s true grit ensures no acid-spitting alien is going to take her down.

Please watch this film. It’s essential.

Stand out performance: Carrie Henn as Newt.

If you like this you should also watch;

  • Starship Troopers
  • Piranha II: The Spawning
  • Event Horizon

Henry Stocks-Fryer

Sid & Nancy UK 1986

Saturday 3rd September at 6pm

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Love Kills – Celebrating the 30th anniversary of Sid & Nancy

 As everyone knows, the ingredients for a perfect love story always follow certain rules – sex, drugs, murder, heroin overdoses.

Welcome to love – Alex Cox style.

Sid & Nancy: Love Kills, Cox’s seminal and gritty retelling of the doomed love affair of Sex Pistols’ bassist Sid Vicious and his American groupie-turned-girlfriend Nancy Spungen, turns 30 this year.

Yet it’s lost none of its edginess and vitality, in part largely due to the charismatic turns of its protagonists: Gary Oldman, in his first major film role, and Chloe Webb.

This is not a bio-pic in the conventional sense of the term – Cox isn’t interested in the childhood or peaks and troughs of his characters’ lives: this is a portrayal of the destruction of two people, infatuated with each other and with heroin, and their inevitable and nihilistic end. That destruction permeated into the making of the film: Oldman lost so much weight to play the emaciated punk icon he ended up in hospital.

Throw in an appearance by Courtney Love as a junkie (Love originally auditioned for Nancy – how prophetic would that have been in her later unstable relationship with Kurt Cobain!?), music by Joe Strummer and The Pogues – and, bizarrely, rumours that all five original members of Guns N’ Roses appeared as extras, long before they even met to form a band! – and you have the making of a great rock n’ roll opera that pulls no punches.

Interestingly, if anyone’s interested in checking out the copious amount of research Cox did in preparation for this film, his two huge notebooks can be viewed at the Bradford Media Museum!

Thelma and Louise 25th Anniversary Screening

Saturday 20th August 5:30pm – Creatures of The Early Evening

 The early evening slot for Creatures of The Night continues with Ridley Scott’s Thelma and Louise, Bill Walton takes a look at the film on its 25th anniversary.

Thelma: “You said you ’n’ me was gonna get out of town and for once just really let our hair down. Well darlin’, look out ‘cause my hair is comin’ down!”

No shit, as they say.

Released to great controversy in 1991. Revolutionary? YES. Dated? NO, still fresh, sharp and funny. Not just that, it smashed through the Bechdel Test (2 women who talk to each about something besides a man). And a woman writer too (Callie Khouri).

Susan Sarandon and Geena Davis are hot. The waitress and the housewife are takin’ to the road … crude truck drivers, mean cops, and rapists look out!! The sisterhood is gloriously defiant… Harvey Keitel, Michael Masden, Brad Pitt and the rest will not be untouched. The personal and political intertwine.

Great soundtrack (blues and reggae). Director, Ridley Scott. Enjoy it on the big screen, darlin’s.