Friday 28th June at 6.15 p.m. and Wednesday 3rd July at 6.15 p.m.
This is the new film by Mahamat-Saleh Haroun, a filmmaker from Chad who has lived and partially worked in France since 1982. His new film deals with the important issue of refugees and migrants and dramatizes the experience of an African widower and his children who are forced to flee to France from Central African Republic.
Several of Haroun’s earlier films have screened at the Picture house. There was Bye Bye Africa (1999), an unconventional docu-drama in which a slightly fictionalized Haroun visits and films his native country of Chad. It is an ironic and occasionally bitter record of Neo-colonialism in Africa. His next film Abouna (France, Chad 2002) follows two young boys who seek their father across Chad, including in the desert regions. A powerful drama which was beautifully filmed by Abraham Haile Biru, it won the prize for cinematography at The Panafrican Film and Television Festival of Ouagadougou (Festival panafricain du cinéma et de la télévision de Ouagadougou or FESPACO). This Festival is a major forum for African film.
Daratt (which translates as ‘Dry Season’, was funded by France, Belgium, Chad and Austria in 2006). The film follows a young boy who has suffered in the Civil War [2005 to 2010] but who finds a new life in a bakery. A Screaming Man / Un homme qui crie (France, Belgium, Chad 2010)was once again set in the period of the Civil War as a father and son struggle to cope with the adversities of their situation. Grigris (Chad, France, Belgium 2013) only received a single screening at the London Film Festival but no British-wide distribution.
Haroun’s film dramatize the ill effects of Colonialism and Neo-colonialism in Africa, especially that region once termed ‘Francophone’. His stories also frequently revolve around fathers and sons, making for powerful and emotional dramas. And he has a fine sense of visual presentation and has worked with really talented craft teams. Now his new film is receiving the release [though limited] his work deserves. But the two screenings at the Picture House are likely to be rare opportunities to see the movie in its proper theatrical setting.
If you want a preview:
Tuesday 29th May 6.30 p.m.
This screening offers a rare opportunity to see a film made in Africa. Supported by European funding the film was shot in the mountains of the Eastern Cape in South Africa. The plot concerns a secret initiation ritual, Ulwaluko, among the Xhosa people. [There is information regarding this in the online Press Notes]. The subject of the film, and the inclusion of a gay theme in the film, has made it controversial in its home country. It has been reclassified as 18 there.
Abroad the film has been well received. It made the short list for the Academy Award category of ‘Best Foreign Language Film’ and was voted ‘Best First Feature’ at the London Film Festival. These two awards presumably explain its availability in Britain.
The director, John Trengove, researched the film among men who had experienced and/or were involved in the rituals. He notes that there seemed,
‘something profound about a ritual that shows a young boy his place in the world of men.”
This is an adult them and the film has a 15 certificate, [“strong sex, language, drug misuse”, BBFC]. Reviews suggest that is is well filmed and set in a majestic landscape. And the cast are credited with convincing portrayals. The film was shot digitally in colour and a ratio of 2.35:1: it uses Xhosa/Afrikaans/English with English sub-titles.
The last African film that I saw, Félicité (from the Democratic Republic of the Congo, 2017) was the best new title that I viewed at the Leeds International Film Festival. In the 1980s African films were relatively frequent screenings and offered a world of quality and distinctive cinema. Now they are few and far between and deserve a serious effort to see them.
Sunday October 9th 2.30 p.m.
The Senegalese filmmaker Ousmane Sembène was a key pioneer in the development of an indigenous African cinema. Now a new documentary by Samba Gadjigo, SEMBÈNE! (2015), is screening along with a Q&A with the director. Also there will be a screening of La Noire de… / Black Girl, (1966). And later, on October 18th, there will be a screening of his final film Moolaadé (2004).
Sembène’s films are rarely seen in the UK but they are powerful, emotionally involving but also politically incisive. Both screenings are well worth the visit to the cinema: they are few such opportunities and the quality of Sembène and his colleagues work deserves the big screen.