Kinds of Kindness (2024)

Screening daily from Friday 28th June.

Yorgos Lanthimos’ most recent project comes only months after the award-winning Poor Things (2023), bringing over the familiar cast of Emma Stone, Willem Dafoe and Margaret Qualley. However, for Kinds of Kindness Lanthimos has shifted his focus from epic period pieces to the more simple expression of his absurdism seen in The Lobster (2015) and previous films.

The official synopsis suggests a ‘triptych fable’, comprising three separate stories featuring largely the same cast. These follow a man trying to take control of his life, an alarmed policeman when his missing wife returns, and a woman trying to find a person destined to be a spiritual leader.

Lanthimos noted the strengths of making an anthology, calling it “more complex and more engaging” because the audience can bring “whatever you’ve been thinking about from the first story into the next”. Unsurprisingly, he has found a new way to make his audience uncomfortable yet captivated. However, all of Lanthimos’ signature quirks are still apparent. Dark comedy, sex, death and dancing are ever-present.

Actor Jesse Plemons has received particular praise, winning the award for Best Actor at the Cannes Film Festival. Most recently appearing in Civil War (2024) and Killers of the Flower Moon (2023), The Hollywood Reporter’s David Rooney has described Plemons as “an actor with extraordinary range who’s the standout of a stellar ensemble”. This is especially impressive in a star-studded cast such as this.

With its disturbing yet humorous take on control, divinity and the absurdity of life, Lanthimos’ blunt and unsentimental style promises to provoke fans and newcomers alike.

Toby Breeze

Special General Meeting

Monday 24th June 7:30pm – Hyde Park Picture House Community Space

Unfortunately at our recent Annual General Meeting we didn’t have the minimum number of members constitutionally needed to make any formal decisions. We decided to go through the agenda as planned but all the votes were advisory and will be ratified at a Special General Meeting this Monday 24th June at 7:30pm in the community space on the upper floor of the Picture House. An early draft of the minutes from the Annual General Meeting are now available here on the website.

We hope to keep this SGM brief to approve the 2023 minutes, accounts and election of trustees which can be found on the AGM 2024 page of the website.

Following the meeting we’d like to use the time to have an open discussion about some of the things the Friends should be doing, including the work on the mural which was discussed at the AGM. Or you might be interested in the new typeface for our logo, or in choosing a film for future Friends’ screenings. If you would like to get more involved this would be a great way to start.

It will also be a chance for us to start building on the social side of the Friends and give members a chance to get to know each other and discuss any films they have seen recently which is something we’d like to do more of in the future.

We hope you’ll be able to join us.

Annual General Meeting 2024

Sunday 9th June 2pm

Our Annual General Meeting covering the financial year from April 2023-24 will be taking place in Screen 2 at the Picture House on Sunday 9th June. The AGM will begin promptly at 2pm but doors will be open from around 1:15pm to allow members to talk to each other and the committee whilst enjoying some complimentary refreshments. After the meeting has concluded we will also be showing a short film.

We would be glad to see as many of you as possible there but you will need to be signed up to our Pay What You Decide membership scheme in order to attend. For full details please see the AGM Page of our website which includes the agenda and relevant documents for review.

If you are planning on attending please let us know by completing this form.

Tiger Stripes (2023)

Screening daily from Friday 24th May

In “Tiger Stripes,” Amanda Nell Eu takes us on a wild ride through the tumultuous world of puberty, friendship, and Malaysian folklore. The film, which premiered at Cannes Critics Week, has been making waves ever since, including at LIFF last November.

Set in a religious primary school, “Tiger Stripes” follows the story of Zaffan, a bold 12-year-old who finds herself at the mercy of both her changing body and the cruelty of her friends. When Zaffan starts menstruating, her life takes a terrifying turn as she begins to transform into a were-tiger, grappling with newfound urges and a growing sense of monstrosity.

What makes “Tiger Stripes” so captivating is its subversive take on genre and body horror, blending Malaysian folklore with a healthy dose of “Mean Girls” style teenage drama. Eu’s smart script turns Zaffan’s story into a parable about individuality and empowerment, exploring themes of shame, fear, and the freedom to express one’s true self.

With its strong casting and imaginative use of limited locations, “Tiger Stripes” is a testament to Eu’s talent as a director. From the lush green forests to the cramped confines of Zaffan’s home and school, Eu creates a world where the supernatural and the everyday collide, where girls can be both wild and innocent at the same time.

As Zaffan embraces her inner tiger and unleashes chaos on her unsuspecting community, “Tiger Stripes” becomes a thrilling exploration of power and freedom. With its exuberant energy and deliciously dark sense of humor, this is one Malaysian genre movie you won’t want to miss.

Chifae Maouelainine

Indian Food & Films At Heart: Bride & Prejudice

Friday 24th May – Headingley Enterprise and Arts Centre

A movie poster for "Bride & Prejudice" featuring a couple standing back-to-back in the foreground, with a festive crowd and a cityscape in the background.
1hr 51min//Certificate 12A/2004

The next film and food session at Heart is Bride and Prejudice directed by the award winning Gurinder Kaur Chadha.

An update of Jane Austen’s classic tale, in which Mrs. Bakshi is eager to find suitable husbands for her four unmarried daughters. When the rich single gentlemen Balraj and Darcy come to visit, the Bakshis have high hopes, though circumstance and boorish opinions threaten to get in the way of romance…

  • 6.30pm: Food: delicious vegan Indian food from the HEART Assembly Bar and Kitchen
  • 7.15pm: Introduction: Gurj Kang
  • 7.30pm: Film: BRIDE and PREJUDICE

Tickets £12 available from HEART reception and online (includes food and film).

La Chimera (2024)

Arthur (Josh O'Conner) in a beige suit examining a classical sculpture

Screening daily from Friday 10th May

Get ready for a mesmerizing journey into the heart of Italy’s enchanting landscapes and buried secrets with Alice Rohrwacher’s captivating film, “La Chimera.”

Set in 1980s Tuscany, “La Chimera” follows the lovelorn Englishman Arthur, portrayed with tremendous depth by Josh O’Connor. A former archaeological scholar turned tomb raider, Arthur’s quest to reunite with his lost love, Beniamina, takes viewers on an adventurous journey between the living and the dead.

As Arthur explores Italy’s ancient culture, viewers are treated to a charming fantasy-comedy filled with lively characters, funny moments, and a heartfelt look at love and longing. Rohrwacher’s unique style brings Italy’s past to life, blending ancient greatness with modern-day desires.

With its vibrant setting and compelling storyline, “La Chimera” promises to be a film teeming with life. From the bustling streets of Riparbella to the squalid shantytowns hidden in the hills, audiences will be drawn into a world of eccentric characters and playful chaos.

Featuring stellar performances from a talented cast, including Isabella Rossellini and Carol Duarte, “La Chimera” is a testament to Rohrwacher’s skill as a filmmaker. With its whimsical, fable-like sense of enchantment, this film invites viewers to explore the depths of love, loss, and the timeless pursuit of buried treasures.

Don’t miss your chance to embark on this unforgettable cinematic journey. Screening from 10th May at Hyde Park Picture House, “La Chimera” is a film you won’t want to miss.

Chifae Maouelainine

Love Lies Bleeding (2024)

A Steamy, Brutal Thriller Bringing us Back to 1989 America

Two women (Katy O'Brian and Kristen Steward) in athletic gear talking intently in a gym with motivational banners in the background.

Screening daily from Friday 3rd May
Limited seats for a preview screening Wednesday 1st May

Rose Glass, the mastermind behind the socially in-depth thriller Saint Maud (also screening in Screen 2 at 6pm on Wednesday 1st and Thursday 2nd May), returns with her second feature film, Love Lies Bleeding. The film, which had its world premiere at the Sundance Film Festival, promises to be a thrilling and nostalgic journey taking us back to 1989 America.

Set in a remote desert town in New Mexico, the film follows the tumultuous relationship between Lou, a reclusive gym manager with ties to a crime family, and Jackie, an ambitious bodybuilder with dreams of making it big in Las Vegas. Played by Kristen Stewart and Katy O’Brian, respectively, the two women find themselves drawn into a world of violence and deception as they navigate the dangerous web of Lou’s criminal family.

Directed by Rose Glass and co-written with Weronika Tofilska (director on Netflix’s Baby Reindeer), it promises to be a steamy and brutal thriller that explores the dark side of love and ambition. With an ensemble cast that includes Jena Malone, Anna Baryshnikov, Dave Franco, and Ed Harris, the film is sure to keep audiences on the edge of their seats.

Love Lies Bleeding has already gained strong reviews, with critics praising Glass’s uncompromising vision and the film’s electrifying performances. While some may find the frenetic final act to be a bit overwhelming, there’s no denying that this is a bold and ambitious piece of filmmaking that confirms Glass as a major talent to watch.

Chifae Maouelainine

The Damned (1969)

A Pervert Pictures Presentation on Sunday March 17th, 2pm

A man in a suit holds the hand of a reclining woman on a chaise longue,

As author Sara Shepard observed “Those who forget the past are doomed to repeat it”.

In “The Damned” director Luchino Visconti takes us back in his portrayal of Nazi Germany in the 1930s. This is a disturbing film of beauty and decay, a heady mixture of sex, violence and intrigue, with a dysfunctional family enriched by arms sales at its core. Something for everyone!

We are so fortunate that the Hyde Park Picture House has worked with Pervert Pictures to bring this powerful tale of decadence to the big screen which will being with a short introduction.

Pervert Pictures is a Leeds-based film club for lovers of the erotic, the disturbing and the provocative, which aims to create a safe and social environment for the viewing of explicit and challenging films.

Herbert Thaliman (Umberto Orsini) says in the film “It does no good to raise one’s voice when it’s too late, not even to save your soul”. A vital lesson for our times? Agree? Disagree? Loved it? Hated it? Let us know. Leave a comment below, contact us with a review or join us in the cafe area after the film for a chat.

Romanian Food and Films at HEART

R.M.N

If you missed seeing R.M.N. (2022) when it was screened at the Hyde Park Picture House, you now have a second chance to see this film for our troubled times! There is a going to be a special screening at the HEART Centre in Headingley this Friday February 23rd. The ticket price of £12 includes vegan goulash to celebrate its Romanian/Transylvanian setting.

The food starts at 6:30pm with the film an hour later at 7:30pm.

Tickets are £12 (including food and screening) and available at HEART reception or online here.

From the director of 4 Months, 3 Weeks, and 2 Days, R.M.N. is Cristian Mungiu’s patient & disturbing examination of rising tensions & anxieties in a xenophobic Transylvanian village, focusing on a multi-ethnic community in Transylvania who turn on a group of Sri Lankan immigrants. The film has bleak cinematography and many unforgettable shots, leaving the audience with a wave of different emotions.

‘In its furious disputes over immigration, vanishing jobs, nationalism and enlightenment values, R.M.N. depicts a reality that, like it or not, hits very close to home.’

John Powers

Dir: Cristian Mungiu | 2h 8mins | Subtitles | Certificate 15 | 2022

Bill’s Review of #LIFF2023

What I love about the Leeds International Film Festival is the sheer variety of the films on offer, with insights into different cultures, times, and ways of seeing the world. Here is a selection of this year’s highlights for me:

There were thrills from the Sahel (Sira 2023) and melodrama involving Dutch imperialists in Indonesia (Sweet Dreams 2023).

I was taken into the future where to save resources citizens at the age of 50 are turned into life-giving trees (White Plastic Sky 2023), and into the past with a frantic search for a winning lottery ticket (Le Million 1931).

There was the craziness of Hundreds of Beavers (2023), and a moving Question and Answer with the director of the Celluloid Underground documentary about how Iranian fundamentalists used censorship and torture in their quest to destroy collections of ‘ideologically unsound’ 35mm films, including by setting them on fire – a fanatical counterpart to book burning.

I wouldn’t be surprised if The Holdovers (2023) becomes a cult Christmas classic.

The Festival was rounded off at the Hyde Park Picture House with Slow (2023) a touching study of sexuality, intimacy and communication between a dancer and a sign language interpreter.

So many films I didn’t get to see of course. I hope to catch some of them at the wonderfully refurbished Hyde Park Picture House in the coming months.

What were the highlights for you? Do let us know.

Huge congratulations to all the staff and volunteers who brought it all together.

Bill Walton